Tilda Swinton Quotes
Archetypes are always [in my film-making]. It's sometimes interesting to just flip them a little bit and see the underside.

Quotes to Explore
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You just do the best you can with what you've got... and sometimes magic strikes.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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Age puzzles me. I thought it was a quiet time. My seventies were interesting and fairly serene, but my eighties are passionate. I grow more intense as I age.
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To be seventy years young is sometimes far more cheerful and hopeful than to be forty years old.
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I've gone back and forth with fine-tuning the kind of conditioning I'm doing. Sometimes trying to shed weight and getting leaner and sometimes trying to pack on a little more muscle.
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My childhood and adolescence were filled with visiting scientists from both India and abroad, many of whom would stay with us. A life of science struck me as being both interesting and particularly international in its character.
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I sometimes joke, Paula, even paranoid people have enemies.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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The question of whether a computer can think is no more interesting than the question of whether a submarine can swim.
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Beauty is in the character of a person. It's about having an interesting face and about what's inside. Anyone can take a good picture.
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Mix CDs are interesting. I'm known more for my artist albums and less for my mix CDs.
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Hollywood's like a warehouse. It's just a place that you go. What's interesting in the warehouse has to do with the creative people.
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Sometimes there are customers who get in difficulty because of situations that are out of their control. These are customers with genuine needs, and the role of the bank is to accommodate these customers, and there is a real need to reschedule the loans of these customers.
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The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
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I'm somebody who doesn't feel the need to be in the driver's seat all the time. I appreciate the perspective of being in the passenger's seat sometimes, and I feel fortunate for that because I've learned a lot from that perspective.
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In elite, primarily white institutions, there are many blacks who have white wives. So much so that sometimes there is almost the assumption that I would be married to a white woman.
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I've got to be sensible sometimes.
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The Self is only one. Do you feel hurt if you blame yourself or scorn yourself for your errors? If you hold the Self there is no second person to scorn you. When you see the world you have lost hold of the Self. On the contrary, hold the Self and the world will not appear.
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Instead of the usual "Why can't we make movies more like real life?" I think a more pertinent question is "Why can't real life be more like the movies?"
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I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
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Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter.
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Archetypes are always [in my film-making]. It's sometimes interesting to just flip them a little bit and see the underside.