Tilda Swinton Quotes
Derek Jarman shared the responsibility for making the film. He didn't necessarily know what he wanted - he knew what he didn't want - but you had to keep coming up with stuff.

Quotes to Explore
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I look at 'Death Proof' and realize I had too much time.
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I usually get all my stress and anger out at the gym. But when I get out, I'm kind of a pleasant person - really.
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Because I'm in the public eye, I think that I would prefer to date someone regular who isn't in the news all the time, but I think even if you date someone regular, they'll still put it in the news.
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The future of Indo-Pak cricket will depend on how the peace process goes.
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I always feel the danger because you might always be subject to an unexpected or emergency event.
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They talk about those All-Star Games being exhibition affairs, and maybe they are, but I've seen very few players in my life who didn't want to win, no matter whom they were playing or what for.
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Compared to how I have raced before and how I have competed, the success that I have had, this does look like doom compared to it.
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I like my house to be unique to me. Sure, I've bought plenty of things out of a catalog, but the way I put them together in my home is special. You might have bought your sofa at a major home decorating store, but the rug you found at the flea market is so unique, it takes your room from 'carbon copy' to 'simply yours' in no time.
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A lot of what gets on the radio isn't saying anything other than somebody wants to be famous and will do whatever they're told to get it.
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I suppose anybody just losing it and sputtering curses is pretty funny. But I think it would be more of a challenge, much more of a challenge, to make a cursing dad funny.
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I don't want to make games for 12-year-olds. I have no interest in that. I haven't been 12 in a long time.
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The one thing I do not want to be called is First Lady. It sounds like a saddle horse.
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You don't have to be dowdy to be a Christian.
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Everybody is improving but I am improving slowly, which seemingly widens our distance.
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That's one of my real goals is to keep theater in my life.
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If you don't change, you're dead, so I try to keep changing.
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To be an ideal guest, stay at home.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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I think of all the guys that strap a gun on their backs and head to Afghanistan and Iraq to keep us free and safe and maintain what America has stood for.
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We Americans look at the last 300 years of history, and we basically see a world that's getting better and better. The rule of freedom expands. The economy develops. We have risen to become the world's greatest power.
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We were relying on Kobe and Kobe couldn't shoot the ball because of a hand injury. He was just reluctant to shoot.
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Working on 'The War Room' was a thrill, not only because we were given such exquisite access to the nerve center of Bill Clinton's first presidential campaign, but for me personally, it was so exciting to be producing my first film and working with documentary filmmaking legends D.A. Pannebaker and Chris Hegedus, who were the film's directors.
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In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective--and to any number of subjective points of view--and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.
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Derek Jarman shared the responsibility for making the film. He didn't necessarily know what he wanted - he knew what he didn't want - but you had to keep coming up with stuff.