Paul Goodman Quotes
The problem of translation is to retreat to a simpler tenor of one's own style and creatively adjust this to one's author.
Quotes to Explore
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My style is very inspired by both my parents, so we all have the same taste.
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I'm more for the style than the brand. I don't go brand shopping; I go detail shopping.
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I like women with style to wear my shoes.
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A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.
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We moved from the East coast to the town of Spokane, Washington, when I was about 13 years old, and I did not adapt very well to the, to the style of the place, and I spent most of my time in the public library.
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I have always been interested in having people fall into the image and be aware of their reaction first, and then think about the style.
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I would describe my personal style as eclectic.
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When you have an author and an auteur, it's a difficult and challenging relationship.
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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I owe my career to Latina women. I was surrounded by the amazing group: my mother, my aunts, my extended family. They didn't necessarily have access to high fashion, but they had great style and looked stunning naturally at every age.
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My personal style is ever changing.
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Scientists - the crowd that for dash and style make the general public look like the Bloomsbury set.
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It's fun to be an actor and dress up, but I'm happy being me and just loving accepting my personal style.
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People actually perceived me with being this cat from the Bronx because I'm one of a handful of folks that was actually acting in 'Wild Style'.
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It's certainly no coincidence that big bands became the entertainment of the army in WWI and WWII, and that jazz drumming style is very military influenced. The snare drum comes from the military and becomes the core kind of sound of jazz drums.
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The fellows that I played with encouraged me to bunt and beat the ball out. I was anxious to make good and did as I was told. When I came to Brooklyn, I adopted an altogether different style of hitting. I stood flat-footed at the plate and slugged. That was my natural style.
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I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.
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I first encountered Bradbury's writing when I was pretty young. He's a great bridge author between young-adult fiction and literature.
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Ancient, woman-centered words and beliefs never, like, fall off the planet. Having long done taken on a life of their own, they - like womankind - evolve, and survive. Chameleon style.
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Translation is the art of failure.
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Regardless of how long it took or what I had to go through to get there, I had visualizations of throwing no-hitters or throwing shutouts.
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Playing with different genres and perspectives and ways of telling stories is one of the perks of being a novelist, but at the same time, I want precision. And in order to be precise about stuff, you have to get personal. Symbolism is very boring.
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We found out that there is no substitute for human contact.
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The problem of translation is to retreat to a simpler tenor of one's own style and creatively adjust this to one's author.
