Joshua Foer Quotes
Quotes to Explore
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
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I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage, to love my first language, Spanish, to learn about Mexican history, music, folk art, food, and even the Mexican candy I grew up with.
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He had to deal all at once with the packed regrets and stifled memories of an inarticulate lifetime.
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My mom is awesome. She's really young. My mom is 40, and she raised me listening to Nirvana and Courtney Love and Coldplay, Gin Blossoms, The Cranberries, and stuff. Like, my early, early memories are of being a little kid running around in floral skirts and Doc Martens when I was, like, three.
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Film is very much a universal and common voice, and we can't limit it to one particular culture.
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The consumerist culture insists that swearing eternal loyalty to anything and anybody is imprudent, since in this world new glittering opportunities crop up daily.
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New York is rich in culture, cuisine, and commerce.
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I taught a master class in film in France, and that was a great experience because I got a chance to study the French film culture and the French film history, so to add... just to expand myself just personally and professionally was really helpful.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I feel like there's a hunger in the culture now for the live experience maybe as a counterpoint to the more sort of synthetic lives that we've been living.
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War implies a lack of comprehension of mutual national interests; it means the undermining and even the end of culture.
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There are lots of different ways for women to be a mom in this culture.
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It is simply not part of my culture to preserve notes. I have never heard of a writer preserving his early drafts.
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One of my favorite memories from growing up in Brazil is being in the kitchen with my family and watching everyone bake and cook.
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Memories are like mulligatawny soup in a cheap restaurant. It is best not to stir them.
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I'm not becoming western; I am still following my Pashtun culture, and I'm wearing a shalvar kamiz, a dupatta on my head.
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There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
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Now, there are some who question the scale of our ambitions - who suggest that our system cannot tolerate too many big plans. Their memories are short. For they have forgotten what this country has already done; what free men and women can achieve when imagination is joined to common purpose, and necessity to courage.
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The crisis of the West is a collapsing culture and vanishing peoples, as a Third World that grows by 100 million people, the equivalent of a new Mexico, every 18 months, mounts the greatest invasion in history of the world. If we do not shake off our paralysis, the West comes to an end.
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Equal wealth and equal opportunities of culture...have simply made us all members of one class.
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I grew up really close to Alabama, about 10 minutes from the Alabama line. We'd make trips to Alabama, and I feel at home there.
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I'm romantic to the point of embarrassment.
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If Mr. Obama wants to get things done, he must recognize that in Washington only the president has the power to make the first big move.
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Our culture is an edifice built of externalized memories.
