Judith Leiber Quotes
Quotes to Explore
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Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee.
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'Straight Outta Compton' is my first biopic, my first period piece, and I got a chance to kind of get out there like some of my idols, you know, like Scorsese, Spielberg, Spike Lee, the guys who came before me. You know, I'm feeling good about it.
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All I suggest is to make K-12 like higher education. Higher education in the United States is the best in the world because these institutions compete with each other for your tuition dollar. Let's just bring competition to public education.
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I like strong female characters. I try to write them as role models for young girls.
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A good stand-up, you lead the audience. You don't kowtow to the audience. Sometimes the audience is wrong. I always think the audience is wrong.
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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It is indeed hard for the strong to be just to the weak, but acting justly always has its rewards.
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There is evidence that some of al Qaeda's nuclear efforts over the years met with swindles and false leads.
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Sometimes, especially when it's cold, I get dry skin, so I scratch a lot. I scratch my arms incessantly.
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A plan is always successful if the plan is good.
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I've never, ever done a piece of work - and can't imagine doing a piece of work - when I've thought, 'I was pretty perfect in that.'
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When I first lived in a model apartment... It was two bunk beds to a room, and the bathroom was constantly in use. I was bringing in Lucky Charms cereal, and one day an agent put a stop to that. She said, 'You're making all the girls fat.' They took it off our grocery order. That was the most dramatic thing that happened.
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I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
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I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
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None of the other guys in the band really sang, so that's when I brought Roy Clark in.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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I just don't eat too much. That's never been my problem.
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It's going to make life a whole lot easier.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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Slow parents understand that childrearing should not be a cross between a competitive sport and product-development. It is not a project; it's a journey. Slow parenting is about giving kids lots of love and attention with no conditions attached.
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I left for Petersburg in August, 1871 and stayed there until 1879.
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If I make a new bag I love, I don't keep it.
