Natsuki Takaya Quotes
Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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Cats are impossible to work with. They're just very difficult because you can't really train them. They're not really interested in whatever you want them to do. Dogs want to please you; cats only want to please themselves.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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The family teaches us about the importance of knowledge, education, hard work and effort. It teaches us about enjoying ourselves, having fun, keeping fit and healthy.
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But all over Ohio - all over America - men and women are going back to work with the pride of building something stamped 'Made in America.'
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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There are programs that don't work.
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If you play cricket for India, money is bound to come, and with IPL in and match money of the Ranjhi trophy, I think money is there. There's no good reason why you should not work hard, because at the end of the day, you want to play for your country.
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People who work 44 hours per week make 50 percent more than people who work 34 hours a week.
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As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
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I want to work with different people, and I would like to work in different places.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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One of the biggest mistakes people make when they cook for other people is to think that it has to be fancy and elaborate. This results in enormous expense and nine days of labor, plus you end up trying to assemble a croquembouche in front of your guests and everyone's experiencing flop sweat.
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I had a job since I was old enough to work - since I was, like, 14.
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Work is both my living and my pleasure.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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There's not a day that I don't work on vocals, have vocal coaches, go to acting classes, read books.
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Some men turn every quality or art into a means of making money; this they conceive to be the end, and to the promotion of the end all things must contribute.
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What I feel I am doing now is giving to the people exactly what they paid for but never actually heard before.
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Big doesn't necessarily mean better. Sunflowers aren't better than violets.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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There was a kid that used to pick on me... he used to drop my food and beat me up in little corners. Nothing serious, but tease me. I remember knocking his food out of his hand one time when he in the middle of explaining something to his friends, and they all laughed, so I thought that was pretty nice. 'Well, there you go buddy.'
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
