Laura Prepon Quotes
Now that I know what goes into making a pilot, keeping it on the air, and keeping your fans, I'm at a point now where I do a pilot and just hope for the best. If it doesn't work out, it doesn't work out.
Quotes to Explore
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I'm here to spread a message of hope. Follow your heart. Don't follow what you've been told you're supposed to do.
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We as the Afghan people and government are willing to help Pakistan work for peace in Afghanistan and work for peace in Pakistan, together.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.
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Never despair, but if you do, work on in despair.
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That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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That's the most important thing you do in your life - raise children and try to do the best job as a parent and give your kids the best shot in life to go out there into the big, bad world.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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Frankly, one of the problems we have in the country is we're not forming enough families. And that is hurting our economic work, and it's hurting our economic projections, because the best place for a child is within a strong family unit.
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When you write and direct your own film, you basically know exactly what you want. Or you hope to. For the studio, it actually can make life a little easier, because if you have a bunch of questions, they only need to call one person.
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My hope for this country is that we remain a people who value freedom, who have the courage to face the realities with faithful hearts instead of anxious ones.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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My best vacation was renting a boat and motoring along the Adriatic, going along the Croatian coast, before it became so fashionable. I've also sailed around the Turkish islands, the Greek islands and Sicily.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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Deal first with whatever is causing you the greatest emotional distress. Often this will break the logjam in your work and free you up mentally to complete (the) other tasks.
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I find I'm an old soul.
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When I found out about the audition, I knew that I was going in for 'From Dusk Till Dawn,' but I actually didn't know that I was going to be reading with Robert Rodriguez.
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I do YouTube my cars a lot.
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My attention span has never been on point - in school as well - unless I'm very, very, very into something.
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Now that I know what goes into making a pilot, keeping it on the air, and keeping your fans, I'm at a point now where I do a pilot and just hope for the best. If it doesn't work out, it doesn't work out.
