Laura Lippman Quotes
I adore the work of Stephen Sondheim. I like musicales in general. They make surprisingly great running tapes.
Quotes to Explore
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I have been offered a lot for my work, but never everything.
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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Nobody has approached me about an offer to work in India. However, I can categorically state that if they did so, I would refuse immediately.
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I love working with the Farrelly brothers. I'm a big fan and feel very lucky to have gotten to work with them a few times. One thing that I learned while working with them is that you have to keep your cell phone off when filming scenes, or you owe them a lot of money!
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I'd never put all my chips anywhere, because I don't want to close any doors, but I was raised in a very blue-collar family. I was raised by parents who said, 'If you don't go to work every day, you're not contributing', so that's my mentality. I have to work every day; I have to bring home a paycheck.
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I've never been someone that was sort of blessed with an innate talent of just being able to do things. I had to work at it and learn from mistakes.
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Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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As we take our places in the General Assembly and at the Council meetings, let us begin all our work in the name of God, for the solution of all our problems is a spiritual one.
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If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.
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I really wanted to work and become independent.
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I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
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Music really gets me going, so I've always got to make sure I have my iPod to give me energy to work out.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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Anyone who thinks Peter Jackson would fall for market forces around him rather than artistic integrity doesn't know the guy or the body of his work.
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What has 'The Patchwork Girl of Oz' got in its favor? Quite a lot, from our point of view in 2009. If you want to see how Oz's creator envisioned his own work, here it is.
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Having your stuff online - some people think of it as gimmicky, but in a way, it's one of the most pure forms of having your work judged.
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When you work for Bruckheimer, you don't get it any better. He's the ultimate producer. I've had the good fortune of working with some great producers over the years.
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I've always published a range of responses to my work in the letters section of my comic book.
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Kids need stuff which is different than what their life is that they can kind of live through.
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So much of what I write in fiction is based on true stories.
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I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.
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I adore the work of Stephen Sondheim. I like musicales in general. They make surprisingly great running tapes.
