Ernst Haas Quotes
Living in a time of the increasing struggle of the mechanization of man, photography has become another example of this paradoxical problem of how to humanize, how to overcome a machine on which we are thoroughly dependent... the camera.

Quotes to Explore
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Working as a musician, I have to constantly generate new material, so school keeps me sharp. Reading and writing all the time helps me to be a better songwriter.
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I would love to be a role model.
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I am the last guy that wants to quit making music.
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Do you follow American politics? They hate Obama. Hate him. He's a black man. That's what it is: it's racist. This guy is no bleeding-heart liberal. He's a centrist.
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Drink warm water with lemon first thing in the morning. It's a good way to detox and alkalize your body.
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There's only one way to become a hitter. Go up to the plate and get mad. Get mad at yourself and mad at the pitcher.
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I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
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I was not really as good as I should have been.
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I used to go in for Disney auditions, and they'd tell me, 'You're cute and nice but just not funny.'
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We just compare our lifestyle to movies so you can relate to them. When I say, 'I bought a carpet from Aladdin so I could finesse and do magic,' that means I had to get me a new whip or I had to get me something in disguise to work my magic, to finesse, to get out of here.
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In a free country, government is a dull and onerous responsibility. It is a parent-teacher conference.
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When I'm writing, I separate from everyone. Even my band. I push myself, and I'm alone with my thoughts. Separating from friends and comforts and family lets you think a lot deeper about subject matter. Working alone drives me a little crazy, but it makes the writing as honest as possible.
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Cinema is a little over 100 years old, and a lot of what we do is built around film emulsion. Those things were calibrated for white skin. We've always placed powder on skin to dull the light. But my memory of growing up in Miami is this moist, beautiful black skin.
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I remember shooting a show in Australia and I was having to leave and come home all the time. And I remember I was leaving for two months and I wept for like 12 hours on the plane because I wasn’t going to get to see him. So yes. I can relate to the young love thing. … But it was only four years - and not that many boyfriends ago.
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Here are some happy English soldiers.They are going to make the Irish happy.
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I like to undress women - not to dress them. You know, like Manet's 'Olympia' or Helmut Newton's photographs - naked women with shoes. This is what I am trying to do.
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The silver lining of the Trump presidency is it is an era of activism, and one where women really want to be heard.
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To shy away from human extremes and human sensuality makes for bone-dry fiction. A world parched of our sexual releases and our tumultuous daily emotional lives is deeply impoverished. It is not lifelike, at least life as I remember living it.
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Our culture already has a number of well known stories about artificial life and non-human intelligence. In 'Exegesis,' I've tried to not only tell a new and engaging story but also to comment on those well known stories through the details of my novel.
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The story of technology seems to go up and then retract into simplicity again.
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Even if I do not see the fruits, the struggle has been worthwhile. If my life has taught me anything, it is that one must fight.
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I obey the Commandments, the sensible ones. Where they don’t know what they’re talking about I ignore them. I keep thinking about the story of the two old women in church listening to the priest discoursing on the dynamics of the married state. At the end of the sermon one turns to the other and says, 'I wish I knew as little about it as he does.'
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I find it hugely exciting to be dealing with another writer's language.
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Living in a time of the increasing struggle of the mechanization of man, photography has become another example of this paradoxical problem of how to humanize, how to overcome a machine on which we are thoroughly dependent... the camera.