Errol Morris Quotes
A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.
Quotes to Explore
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The working environment in L.A. is really refreshing, really good. Because in Malaysia, it's a small country - you end up working with the same people that you like and that you know.
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I want to get into movies, not just TV series.
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Your life, your circumstances change, and you have to continue to grow as a person, and once you have means and opportunity, you have to make different choices to protect what you have.
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When you have all these traces of trash moving around, you can ask yourself how can we make the system more efficient. Then we can make better decisions. And perhaps we will not throw away the plastic bottles that go every day to the dump.
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A good opening and a good ending make for a good film provide they come close together.
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Just as soaps were very pivotal in the transition from radio to television, they will be right in the thick of things again in the transition from television to the Internet. Exciting news.
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It's hard to say conversation has become a minimal thing, because look at the rise of mobile communications in the last 10 years. It used to be only the president had a mobile phone. Now everyone on earth, even if they have nothing else, they have a cell phone.
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I didn't grow up in a wealthy family at all. Being at home all day and watching movies, that was a luxury.
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When I was living in Paris in the '80s, I used to go out with an American model who couldn't speak French. But suddenly everyone could speak English because he was so cute.
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In every country I visit, I am proud to present Jasmine and what we are doing here. I am in no doubt that we will soon be called upon to teach others the model we have been developing for the past decade, for the promotion of women-owned businesses.
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Nothing is more certain than death and nothing uncertain but its hour.
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My grandfather built my first hoop. It was a peach basket up against a tree, and we played in the dirt. I couldn't have been more than 6 when he put it up, and I just started playing.
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I think I have a good head on my shoulders.
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'Somebody That I Used to Know' by Goyte has an odd, '80s vibe to it, but that does not mean that I did not like it. Quite the opposite actually. The song is different, and slowly lured me in. The video is just as strange, but definitely enjoyable.
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Being sad and being depressed are two different things. Also, people going through depression don't look so, while someone sad will look sad. The most common reaction is, 'How can you be depressed? You have everything going for you. You are the supposed number one heroine and have a plush home, car, movies... What else do you want?'
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When I was a kid, I watched Hugo Sanchez videos. The backflip I sometimes do when I score is actually an homage to him.
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But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.
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I kind of like the position of being the fair-haired savior of my mother.
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My biggest grouse since the time I filed for divorce has been that when all the drama unfolded, the children were made pawns. That should never be the case. You never know how it affects them.
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I say this as a Democrat, for whom the Republican domination of government threatens many values that I hold to be important to America's role as a light among nations. But there are no values that matter to me that will not be gravely endangered if we lose this war.
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If enough people think of a thing and work hard enough at it, I guess it's pretty nearly bound to happen, wind and weather permitting.
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There are very few men of genius in advertising agencies. But we need all we can find. Almost without exception they are disagreeable. Don't destroy them. They lay golden eggs.
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Our unconscious is like a vast subterranean factory with intricate machinery that is never idle, where work goes on day and night from the time we are born until the moment of our death.
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A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.
