Erwin McManus Quotes
Quotes to Explore
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The life of an actor is never one to get comfortable.
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I don't have business with any politicians.
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I'm a self-taught musician aside from what I've been able to pick up from other players.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.
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Work is the meat of life, pleasure the dessert.
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The comic edge of 'Ghostbusters' will always be the same. It's still treating the supernatural with a totally mundane sensibility.
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Modeling has always played off my D.J.-ing, but it is a fun supplement.
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Music has always been an important thing to me in my life and understand I've worked in the music business.
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To harmonize the One with the Many, this is indeed a difficult adjustment, perhaps the most difficult of all, and so important, withal, that nations have perished from their failure to achieve it.
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I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English.
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
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I am always fascinated by India.
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I went to public school my whole life. It was a performing arts school, so I can't say if it was a typical experience or not, because it's all I know.
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Every time there's an election, people start to criticize China.
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Chelsea have made a good investment for me, but I did not put any pressure on them.
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As a solo performer, it's total involvement. What I do is to break down the wall between audience and performer.
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There's a logic today that places a greater value on celebrity the less it is accompanied by actual achievement. I don't think it's possible to touch people's imagination today by aesthetic means.
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Anything where we're the butt of the joke, no one tells us about it.
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I feel so lucky that my high school was right in the middle of Denver, which is one of those sort of segregated towns, with black and white and Hispanic neighborhoods. But the school I went to was right in the middle of the whole thing.
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I began to wonder - I knew I was an artist or wanted to be one - but I was wondering whether I really was an artist. I was doing such ordinary things that I could feel the difference. Most people would look at those things and say, 'Well, that's nothing. What did you do that for? That's just a wreck of a car or a wreck of a man. That's nothing. That isn't art.' They don't say that anymore.
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I don't like to work in an office. I like to work in my house, to be among my own thoughts. The idea is for an editor to let his artist alone, let them be themselves, let them exchange their own ideas and you'll come up with something salable.
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You are an artist. What work of art will you leave behind?
