Harshvardhan Rane Quotes
Satra Ko Shaadi Hai is a very sweet film. It was the first film that I shot. I play a shy small town boy in it, which is an absolute contrast to what I played in Sanam Teri Kasam.

Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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But the process of making a film is not glamorous. Certainly not my films.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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Being in a Woody Allen film. I cherish it.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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I make sure that whatever film I do, I enjoy my role.
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I've only used my own voice about four times on film.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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When I am not working, I try to watch more than one film a day if I can.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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I want to do theatre and film and direct my own things and develop.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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I think, because of my background, which is slightly more exotic than the average British actor, I think, I sort of occupied this little niche quite early on of playing the foreign guy. It started way back at drama school, I played an Eastern European heavy, I played the Russian mobster. And I have done all those different ethnic roles, and I think it's partly because of my look, I think I've got an adaptable sort of nondescript ethnicity, which you can't quite pin down, but it's enough to kind of get a flavor of something.
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When I became an actor, I knew that there were only two ways of going about it - either I become an actor who has expectations, or the reverse of it.
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The Life Cube Burn is cathartic, fun, exciting, and even reverent. It's a spectacular opportunity to put a sense of finality to the event. And when those thousands of written "wish-sticks" inserted into the Cube from all kinds of people combine with the art and shared messaging from the write boards in a blaze of flame and a column of smoke and ashes, it becomes a communal and very spiritual moment.
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Satra Ko Shaadi Hai is a very sweet film. It was the first film that I shot. I play a shy small town boy in it, which is an absolute contrast to what I played in Sanam Teri Kasam.