Estelle Quotes
If there is enough space on radio for Busted and McFly, who are basically the same band, or for 50,000 versions of Stereophonics and Coldplay, there must be enough room for all of us.
Quotes to Explore
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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The guys in my band buy instruments and sell and trade them. But if I have something I hang onto it. Everything is sentimental to me.
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I think legally we have to do 'fun' with a period. I think we agreed because apparently there was another band called 'fun.' We Google-searched, which now makes sense because we're so impossible to Google-search.
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I don't own a radio. I listen to everything through apps or on my iPhone. And then I download the shows I like. Shows like 'Fresh Air', 'Radiolab', 'Snap Judgement', all those shows.
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I always wanted to be in a boy band since I was a kid.
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I like to follow my favorite team and talk sports with my band or fans. You won't believe how many musicians are sports fans. We have so much time on tour that we need these outlets for relaxation.
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All the art for Tool is done by the me and the band.
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I had a blast on tour with Little Big Town. We got to play some beautiful rooms around the country - some really amazing old theaters. And it was just cool to see a band that's been together for so long.
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I never have any problem getting enthusiastic with a good song and a good band.
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When I was 16 or 17 I heard the Count Basie band with Jo Jones and Lester Young and Herschel Evans and I couldn't believe it. They were the greatest swing band. I really fell in love with that sound. Everybody danced!
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I know I could never be in a pop band. I honestly have an appalling voice.
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The Small Faces was such a different band than the Faces. I know three of us are the same, but when you take Steve Marriott out, it's a very different band.
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If our kids want to do music, they are going to have to have a hard row to hoe just like any other band under the sun, and they're going to have to want it more than anyone else.
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When I was a kid, and it was time to go to college, I thought, 'College is for people who don't have the street smarts to make it on their own - get in a band, get in a van, and get rockin'.
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At Johnny's suggestion I pursued a career in radio that eventually brought me to Los Angeles.
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I always thought if I had a band it would have the energy and feel of early Police, since that's where my roots are, and then the harmonies of the Eagles, and the technique of King Crimson or something like that. Fast, up-tempo, beat-the-hell-out-of-the-drums, because that's my style. Energy, but sophistication, rhythmically and melodically.
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I went to L.A. to be a drummer in a band.
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The drummer is the backbone of the band and is the real underrated one.
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If you start off writing an album with a band, the reality is that you're constantly in each other's company, so it's really important that you get on with each other.
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I feel like our whole discography up through 'Hail to the King' was young, fun, and exciting. It was aggressively driven. 'The Stage' was the first step in the band becoming a more mature musical entity.
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I don't think of myself as being invincible anymore.
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The abstract analysis of the world by mathematics and physics rests on the concepts of space and time.
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If there is enough space on radio for Busted and McFly, who are basically the same band, or for 50,000 versions of Stereophonics and Coldplay, there must be enough room for all of us.
