Michael C. Hall Quotes
Quotes to Explore
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Engaged, enthusiastic, and loyal employees are pivotal drivers of growth and health in any organization.
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Women are very intelligent and not appreciated. We try to pretend that we are not clever, and it's such a pity that we can't show how clever we are.
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I'm not doing no more 'Flavor of Loves.' I'm trying to grow. I don't want to stay on the same page. You can't stay on the same page in order to get to the next chap.
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As long as a man stands in his own way, everything seems to be in his way.
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I don't want to live in a nanny state where people are telling me where I can go and what I can do.
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Becoming a tutor was among the many attractive post-collegiate side careers I failed to pursue while devoting the bulk of my days to writing fiction.
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As women, I think it helps that we are complex creatures by nature so just being a woman helps to understand a woman's journey.
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I'm a big reader. My kids love reading, and I think it's important, not just for development but for bonding. You start reading to kids before they can even understand what you're saying to them, so I look at it as a fundamental tool for connection.
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Candor and generosity, unless tempered by due moderation, leads to ruin.
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Some people are ok with doing nothing all day after they retire, but then some people if they had nothing to do would go mad and start banging their heads against a wall.
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As we saw in the Queen's Speech, anti-social behaviour - a phenomenon that I believe to be a genuine worry that is also being fed by a lot of scare stories - is the political theme of the moment.
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You don't go to church and tell the choir how to sing if you're a visitor.
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I think it's almost a law of nature that there are only certain things that hit an emotive space, and that's what was always special for me about music: it made me feel something.
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Instagram is just a highlight reel... Ten percent of the time, Chan and I have a lot of fun. Ninety percent, we're really boring.
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I remember the day Dr. King died. I wasn't angry at the beginning. It was like something very personal in my life had been touched and finished.
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Privacy is one of the biggest problems in this new electronic age.
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I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.
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I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
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I shot 'Fruitvale Station' on super-16, and then I shot a movie called 'The Harvest' on 35mm, and then I shot 'Little Accidents' on 2-perf 35.
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I hate the whole group of artists who are so hermetic and completely indecipherable on some level and they're all proud of themselves for it. It's like, how obnoxious, how pretentious. And that's part of my mission as an artist is to kick down those people or make fun of that type of high horse attitude.
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We accepted this war for an object, a worthy object, and the war will end when that object is attained. Under God, I hope it never will until that time.
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For me, it was more a dramatic shift to go from the stage to the screen.
