Ethan Hawke Quotes
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As a young man... you don't know anything about yourself. And add on to that, you're on the cover of magazines. People are interviewing you about what you think. You feel like a real phony.
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If you study the history of mankind, it seems to be a history of violence. Certainly the history of art, whether you look at paintings or movies or plays or whatever, is just a litany of murder and death.
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I love really exploring... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great.
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In fact, I think my life is always going to be difficult, because I am trying to do something... "original" is a big word. It's kind of pathetic, but I have to love what I'm doing.
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The girls who like me aren't the ones I like. Or, if I do and they want to commit, I suddenly need tons of time with my friends.
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My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth.
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It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
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Emma Watson is my kids' favorite actor on the planet. They never took me more seriously than when I was working with her.
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People are conditioned to just you know, like, you know we're like little birdies going to the bird feeder you know, or the little cows going to the salt lick. We just like what we've seen before.
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I don't know what has happened to movies, but lately every movie is at least 20 minutes too long. It used to be that if you were three hours long it was because it was epic - a movie about Gandhi; something with very important subject matters.
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I got to work with Robert DeNiro once and it was a strange experience. Gwyneth Paltrow and I were doing Great Expectations movie together and we were complaining about what a mediocre film experience it was. DeNiro showed up on set and all of a sudden the director got better, the director of photography got better - everybody got more interested and excited. DeNiro isn't waiting for other people to create the environment that he wants, he brings it along with him.
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I don't have a lot of experiences like this where every time I thought I had a good idea it was totally wrong. I had to give in completely and just try to make the movie Alejandro Amenábar was trying to make.
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I think that as soon as you think of yourself as a famous person or anything like that, you're objectifying yourself in some weird way.
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Some people burn out, and some people like Clint Eastwood, he was a wild, international movie star in his 30s, and he's doing the best work of his life now. Go figure.
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For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.
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If you can channel the best part of you that is bigger than yourself, where it’s not about your ego and not about getting ahead, then you can have fun and you aren’t jealous of others. You see other people's talent as another branch of your own. You can keep it rooted in joy. Life is long and there are plenty of opportunities to make mistakes. The point of it all is to learn.
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It's a really unique job that is a little schizophrenic and you have to kind of do it with a sense of humor.The trick is figuring out what each job is asking of you and what it's not asking of you.
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My job - and it's really true - is that it's constantly evolving and changing. When I was doing the Chet Baker movie I was obsessed with playing the trumpet, and to my absolute shock I haven't picked the trumpet up since we wrapped. It was so much work. I thought I was going to keep playing the rest of my life, 'cause it was fun, it's just a lot of work. And it's a really unique job that exposes you to a lot.
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One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.
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Directing is like putting together a collage.
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The most creative and most periods of my life that were, had the most growth, were the ones where I was perceived to be failing. Perceived success is a, is really hard 'cause it doesn't really, it's not asking you to grow, see failure is asking you to grow.
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Time is what creates trust.
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When I see Lionel Messi play soccer, he lets the game come to him. He lets the game unveil itself to him, then like a lion he eats the whole thing.
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The script of Regression wasn't the draw for me. It was largely Alejandro Amenabar and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.