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Seeing the play "A Lie of the Mind" clearly is part of why I wanted to direct it. I see hope at the end of this play. People talk about how dark the play was, but I feel like, if you really look at the darkness, you're able to go through it, and you realize that you can handle dark moments in life and that everything will be all right.
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The truth is that the more you get paid, the less freedom you have. They never pay you for nothing.
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Life's hard. It's supposed to be. If we didn't suffer, we'd never learn anything.
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The older I get, the more obvious it is that you're not really in control of your life, you're a part of a larger wave, no matter who you are.
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The older I get, the more I realize how rare it is to meet a kindred spirit.
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In all of our society, but especially in Hollywood, there is an obsession with perfection that can lead to self-loathing and neurosis and all that kind of stuff.
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I remember being a kid and sleeping over at my friend's house and staying up late and watching 'Nosferatu.' Vampire movies are supposed to be secret and bad. They should be rated R.
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It is quite rare to find people who are really dedicated to a level of excellence. Most of us are really quite lazy most of the time.
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If you don't risk doing something foolish, you'll never do anything special.
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I've had several moments in my career where it seemed like I might not age out of the bracket the world wants to put you in. It's hard to keep growing up inside the performing arts. It's very difficult, and presents a lot of unique challenges.
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I enjoyed meeting Emma Watson. I have a soft spot in my heart for child actors growing up. I know how hard that is. Having gone through that experience myself, I have a lot of sensitivity to it. For lack of a better word, I just feel like I love these kids, and I want them all to grow up and love themselves, and not get caught up in the wrong things, and to learn all the different things this profession has to give, and to understand it.
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The only thing I can point to of why I survived is I have a family that loves me and never wanted any money from me.
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In truth, the world is a complicated place.
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'Brooklyn's Finest,' this is the kind of movie that's why I want to be an actor, to tell real-life stories. This is where I feel my job is, to interpret life.
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My favorite stories are human, so I'm always looking for...
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The experience on that movie (Dead Poets Society) was, for lack of a better term, life-altering. Peter Weir has a unique talent for making movies that are intelligent but also mainstream. I've never been terribly successful at doing that.
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The biggest problem in my life is trying to be the kind of man that I want to be, the father that I want to be, and how to process the failure of my marriage.
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To get to be somebody who gets to love what they do for a living, that's so rare, and so there must be some kind of price you have to pay.
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It just makes sense to remember gratitude and the place that gratitude should have in your life, and that none of us are owed these wonderful experiences, and we should always make the best of them.
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One of the things that's really lousy about making movies is that you have such little interaction with your audience.
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I've very rarely worked with somebody that had such a clear idea of what Alejandro AmenĂ¡bar wanted to do and what he wanted to achieve. The guy is incredibly prepared. He was clearly making a movie for himself and his own dream. I just tried to be a part of that dream. It's a rare opportunity.
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Sometimes people save the best part of themselves for their art.
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I'd be lying if I said I had confidence in every choice I've made, that I have faith in every film I do on every shot.
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Alejandro Amenabar is a different kind of director than I lot of the directors I've asked for. He really asks you to enter his dream as opposed to, you know, a guy like Sidney Lumet or something is going to ask you to create a character almost like a documentary. He wants you to make the people really real and he's going to capture it like a documentarian.