Ethan Hawke Quotes
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Right now, if you're interested in being a dramatic actor, they're not making that many just regular dramas. Movies have to have some other thing going on.
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Emma Watson is my kids' favorite actor on the planet. They never took me more seriously than when I was working with her.
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It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
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Sometimes in the life of an actor you're not getting offered any jobs that speak to you. The trouble with acting is that you're only as good as your opportunities.
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The more kind of head trippy sci-fi. I always like that. I was a big 'Twilight Zone' freak.
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I don't have a lot of experiences like this where every time I thought I had a good idea it was totally wrong. I had to give in completely and just try to make the movie Alejandro Amenábar was trying to make.
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I can't tell you how many times in the '90s I'd meet somebody, we'd be having a nice time, and they'd sigh and go, 'This is exactly like Before Sunrise.' And I'd have to get up and leave.
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I thought I was so much smarter than everybody. And I'm not.
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If you say to yourself, okay, I will not self-destruct. I don't have to be the most talented person. I don't have to be everybody's best friend, I don't have to be liked, I don't have to be successful, well, one thing I will not do is self-destruct. If you take that out, your chances for success just went up like 800 percent.
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The writing process was some of the most exciting and rewarding moments of my life. It felt a lot like being in a band.
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It's certainly an interesting moment to try to talk about, 'cause you could make a great show about the police force right now, with all that's happening in the news and Ferguson and all of it.
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I always felt that a marriage works best at a farm... where you're together and everybody has clear-cut roles; they have chores, 'you take care of this' and you know. But it's hard.
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Have this Chet Baker movie coming out and in that situation, I went down the rabbit hole studying Chet Baker and being obsessed with the period and the music and the relationships and the dynamic, and everything, drug addiction. There was so much I wanted to get at to kind of get at the truth. With Regression, I was certainly in Alejandro's Amenabar hands.
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When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.
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There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.
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In your mid-twenties, the paint is still wet on who you are.
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I kill flies, I eat meat, you know, whatever.
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My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth.
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I love really exploring... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great.
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I think that if you walk through this life and I end up being a bad father, then it won't matter anything else I achieved in my life. It will all be irrelevant.
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Set designers, costume designers, actors, writers, music, that's what is beautiful.
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I'm magically delicious.
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Seeing the play "A Lie of the Mind" clearly is part of why I wanted to direct it. I see hope at the end of this play. People talk about how dark the play was, but I feel like, if you really look at the darkness, you're able to go through it, and you realize that you can handle dark moments in life and that everything will be all right.
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I've always been drawn to the best writing that I can find. I don't care if it's in movies or theater or whatever - if you want to be in front of an audience, you have to do writing you believe in.