Ethan Hawke Quotes
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I've always been drawn to the best writing that I can find. I don't care if it's in movies or theater or whatever - if you want to be in front of an audience, you have to do writing you believe in.
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The most creative and most periods of my life that were, had the most growth, were the ones where I was perceived to be failing. Perceived success is a, is really hard 'cause it doesn't really, it's not asking you to grow, see failure is asking you to grow.
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It's interesting to get older and realize that part of your job growing up in this profession is to help the next generation. More and more, with Boyhood and with Ellar Coltrane and with Emma Watson, I start to see that role. There's no better way. Nobody wants advice, so you can't really give it. You just have to try to wish them well on their journey.
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Have this Chet Baker movie coming out and in that situation, I went down the rabbit hole studying Chet Baker and being obsessed with the period and the music and the relationships and the dynamic, and everything, drug addiction. There was so much I wanted to get at to kind of get at the truth. With Regression, I was certainly in Alejandro's Amenabar hands.
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Good genre movies are a little bit like trying to write a haiku. There are certain things that you have to do to fulfill the audience's expectations, but inside that, you have complete freedom to talk about whatever you want. Who wants to see a movie about gun violence in America and class? But, if you set it in this terrifying, fun, roller coaster ride of a movie, you can talk about whatever you want. That's been the game that genre movies play, when they do it well.
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The truth is that the more you get paid, the less freedom you have. They never pay you for nothing.
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In your mid-twenties, the paint is still wet on who you are.
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The constant buzz and pressure and noise and static of the Internet, and the way it makes young people feel makes it difficult to grow up and develop the way one might want to.
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I'd really rather that nobody had a gun, and then nobody would have to worry about it. That would be more my theory. In America, there's this knee-jerk response that more walls and more guns make people safer, and I'm entirely suspect of that way of thinking.
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When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.
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I kill flies, I eat meat, you know, whatever.
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The only thing I can point to of why I survived is I have a family that loves me and never wanted any money from me.
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The older I get, the more I realize how rare it is to meet a kindred spirit.
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It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
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I thought I was so much smarter than everybody. And I'm not.
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At every turn, when humanity is asked the question, 'Do you want temporary economic gain or long-term environmental loss, which one do you prefer,' we invariably choose the money.
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If you can understand the inner life, then you can wear the uniform, the tattoos, or whatnot and realize that the things that are different about us become superficial.
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My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth.
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You need to be a good screen partner. It's very meaningful to me to be a part of great acting performances.
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Sometimes people save the best part of themselves for their art.
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It is quite rare to find people who are really dedicated to a level of excellence. Most of us are really quite lazy most of the time.
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Seeing the play "A Lie of the Mind" clearly is part of why I wanted to direct it. I see hope at the end of this play. People talk about how dark the play was, but I feel like, if you really look at the darkness, you're able to go through it, and you realize that you can handle dark moments in life and that everything will be all right.
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There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.
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If you say to yourself, okay, I will not self-destruct. I don't have to be the most talented person. I don't have to be everybody's best friend, I don't have to be liked, I don't have to be successful, well, one thing I will not do is self-destruct. If you take that out, your chances for success just went up like 800 percent.