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When I see Lionel Messi play soccer, he lets the game come to him. He lets the game unveil itself to him, then like a lion he eats the whole thing.
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At every turn, when humanity is asked the question, 'Do you want temporary economic gain or long-term environmental loss, which one do you prefer,' we invariably choose the money.
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It's interesting to get older and realize that part of your job growing up in this profession is to help the next generation. More and more, with Boyhood and with Ellar Coltrane and with Emma Watson, I start to see that role. There's no better way. Nobody wants advice, so you can't really give it. You just have to try to wish them well on their journey.
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I've turned down good directors before because I knew the part didn't speak to me and I've worked with less talented directors before because the part I had such passion for.
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I've had different opportunities in my life, but I've tried to maintain the spirit of an amateur. Our culture roots everything in the barometer of success and how much money you make. But if you really just aspire to a life in the arts, it's really not a barometer at all.
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I've had a lot of experience in independent film, and about how to choose. You've got to be very discerning about where you put your five bucks, and where you cut and what you don't cut.
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I believe in the healing restorative power of art and communication. And so that's probably my rule. But that doesn't apply to bedtimes. And stuff like that.
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I can't tell you how many times in the '90s I'd meet somebody, we'd be having a nice time, and they'd sigh and go, 'This is exactly like Before Sunrise.' And I'd have to get up and leave.
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If I do three movies in a year, I don't feel like acting ever again.
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I think that if you walk through this life and I end up being a bad father, then it won't matter anything else I achieved in my life. It will all be irrelevant.
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The more kind of head trippy sci-fi. I always like that. I was a big 'Twilight Zone' freak.
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Sometimes in the life of an actor you're not getting offered any jobs that speak to you. The trouble with acting is that you're only as good as your opportunities.
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I kill flies, I eat meat, you know, whatever.
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It's certainly an interesting moment to try to talk about, 'cause you could make a great show about the police force right now, with all that's happening in the news and Ferguson and all of it.
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The constant buzz and pressure and noise and static of the Internet, and the way it makes young people feel makes it difficult to grow up and develop the way one might want to.
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In your mid-twenties, the paint is still wet on who you are.
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Right now, if you're interested in being a dramatic actor, they're not making that many just regular dramas. Movies have to have some other thing going on.
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There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.
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When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.
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The writing process was some of the most exciting and rewarding moments of my life. It felt a lot like being in a band.
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There's only so often you're going to have an opportunity to contribute at a high level and that you should be grateful whenever one presents itself and not take it lightly.
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My first car was kind of sad. My first car was when my parents had completely worn out their Toyota Corolla that they had for 16 years or something. They gave me, for my 19th birthday, this really ancient Toyota. So that was my first car. And I loved it. I thought it was amazing, and I drove it cross-country. It was not aesthetically appealing in any way. It was it fast. It did not handle well, but it lasted forever. I drove cross-country and back, and then I gave it to my sister, and she drove it for another 10 years.
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I'd really rather that nobody had a gun, and then nobody would have to worry about it. That would be more my theory. In America, there's this knee-jerk response that more walls and more guns make people safer, and I'm entirely suspect of that way of thinking.
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I'm magically delicious.