Haruki Murakami Quotes
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
Quotes to Explore
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Many miles away there's a shadow on the door of a cottage on the Shore of a dark Scottish lake.
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I was 17 when I was forced into marriage. I had no hand in it, and I didn't even enjoy being with the man. Also, I wanted to study, but no one listened to me. I wanted to move forward in life, it wasn't a happy situation. Because of some family problems, I had to stick around.
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I worked a little as a messenger on a bicycle and then decided to study photography and film.
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Myself when young did eagerly frequent doctor and saint, and heard great argument about it and about: but evermore came out by the same door as in I went.
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When you run into something interesting, drop everything else and study it.
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I've seen a study in the last year that digital sound actually induces stress in the listener.
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We were poor, my mother and I, living in a world of doom and gloom, pessimism and bitterness, where storms raged and wolves scratched at the door.
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I think 'In The Heat Of The Night' was one of the most influential films on me. Looking back now, I can see how influential it was on my screenwriting because here you have what looks to be a crime procedural, and it's actually a study in race and loneliness, and a perception of an era.
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The study of history empowers nations and individuals with an ability to avoid errors of the past and lay foundations for victories in the future.
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There are an awful lot of people who despise government precisely because it opened the door for common citizenship for people of all races and all natures in the United States.
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Poetry is the opening and closing of a door, leaving those who look through to guess about what is seen during the moment.
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The tough thing about writing is you go into a room alone, you close the door and you do your work.
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Of course I was in love with my father as a child. He was Daddy, and our house came alive in a special way whenever he walked through the door. He'd romp and play with us; my sisters and I would literally squeal with excitement when Daddy came home.
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I have an open door to meet with my constituents and that I work hard to respond to their needs, and I'm proud of the constituent service that we provide.
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I think there are influences that you open the door to, and influences that come under the door.
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I've done everything. Selling door-to-door fire extinguishers... In bars, I used to repair those machines that have 10 different buttons on them to spray club soda and seltzer.
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The question I propose to consider is in what way one may justify the study of English on cultural and disciplinary, and not merely on sentimental or utilitarian, grounds. My own conviction is that if English is to be thus justified it must be primarily by what I am terming the discipline of ideas.
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No language is justly studied merely as an aid to other purposes. It will in fact better serve other purposes, philological or historical, when it is studied for love, for itself.
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I am going out one door, and shall go through another.
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A SWAT team surrounded my house and came in every door. But it happened because on the day that we split up, Madonna developed a concern that if she were to return to the house, she would get a very severe haircut.
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Men don't deceive their wives unless they love them. When they love them most, they deceive them. It's a form of fidelity, their deceit.
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It was a very cool thing to be a smart girl, as opposed to some other, different kind. And I think that made a great deal of difference to me growing up and in my life afterward.
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All my life, I've been right next to a football field. I never knew nothing else.
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Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
