Haruki Murakami Quotes
Quotes to Explore
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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In my case, I write in the past because I'm not really part of the present. I have nothing valid to say about anything current, though I have something to say about what existed then.
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Every story I create, creates me. I write to create myself.
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I write romance because I love to read romance.
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I just write mechanical things.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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I write to escape; to escape poverty.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I write in the studio.
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Many who resort to crime ultimately can't read or write.
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I have a nice little movie career, and I write plays and do my act.
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If you want a database, you don't go out and say you're going to write it. I see platforms as going in that direction.
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I can write with absolutely perfect penmanship with my feet. If I broke both my arms, I could still write a girl a love letter using just my toes.
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I write my songs many times to chord progressions on a piano. Unfortunately, I can't keep playing the piano, so I just record it into the software.
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I'm a huge David Lindsay-Abaire fan. If I could write, I would want to write like him.
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Provide me with ink and paper and I will write.
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I knew I'd have to go to work in real estate or something else or I could never finish my novel.
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I never used an outline until I started "The Bourne Legacy" project for which I was required to write an outline. To be honest, I thought I'd hate the idea, assuming that if I'd thought of all the ideas at the outset I'd have to incentive to actually write the book, because for me part of the joy of writing are the surprises you come upon as the book takes shape. But something curious and exciting happened. As I wrote the outline, some sections would be very detailed, others quite sketchy, so that whole portions of the book would be covered by one line, such as "Bourne is chased by Khan through Budapest," which when I wrote the novel turned out to be 40-50 pages! Now I'll never write a novel without first doing an outline. Looking back on it, I used to get bogged down in extraneous characters and situations, especially during the first 100 pages (which I find the most difficult to write) that I would later have to scrap, wasting time and energy, and frustrating me. Now that never happens.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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I'll write to you. A super-long letter, like in an old-fashioned novel.
