Haruki Murakami Quotes
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I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run.
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Okay, let’s put it this way. I would like to sleep with you. But it’s alright if I don’t sleep with you. What I’m saying is I’d like to be as fair as possible. I don’t want to force anything on anybody, any more than I’d want anything forced on me. It’s enough that I feel your presence or see your commas swirling around me.
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I'm not trying to imply I can keep up this silent, isolated facade all the time. Sometimes the wall I've erected around me comes crumbling down. It doesn't happen very often, but sometimes, before I even realize what's going on, there I am--naked and defenseless and totally confused. At times like that I always feel an omen calling out to me, like a dark, omnipresent pool of water.
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I'm scared," she said. "These days I feel like a snail without a shell." "I'm scared too," I said. "I feel like a frog without any webs." She looked up and smiled. Wordlessly we walked over to a shaded part of the building and held each other and kissed, a shell-less snail and a webless frog.
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What a terrible thing it is to wound someone you really care for and to do it so unconsciously.
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Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
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I'll never see them again. I know that. And they know that. And knowing this, we say farewell.
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But this thing, whatever it was, this mistlike something, hung there inside my body like a certain kind of potential. I wanted to give it a name, but the word refused to come to mind. I’m terrible at finding the right words for things. I’m sure Tolstoy would have been able to come up with exactly the right word.
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I keep to this routine every day without variation. The repetition itself becomes the important thing; it's a form of mesmerism. I mesmerize myself to reach a deeper state of mind.
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When the fire goes out, you'll start feeling the cold. You'll wake up whether you want to or not.
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As if to build a fence around the fatal emptiness inside her, she had to create a sunny person that she became. But if you peeled away the ornamental egos that she had built, there was only an abbys of nothingness and the intense thirst that came with it. Though she tried to forget it, the nothingness would visit her periodically - on a lonely rainy afternoon, or at dawn when she woke up from a nightmare. What she needed at such times was to be held by someone, anyone.
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And when you come back to Japan next summer, let's have that date or whatever you want to call it. We can go to the zoo or the botanical garden or the aquarium, and then we'll have the most politically correct and scrumptious omelets we can find.
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Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system.
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But I didn't walk a single step. I stopped a lot to stretch, but I never walked. I didn't come here to walk. I came to run. That's the reason-the only reason-I flew all the way to the northern tip of Japan. No matter how slow I might run, I wasn't about to walk. That was the rule.
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Beyond the window, some kind of small, black thing shot across the sky. A bird, possibly. Or it might have been someone's soul being blown to the far side of the world.
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I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.
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A friend to kill time is a friend sublime.
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I probably still haven’t completely adapted to the world. I don’t know, I feel like this isn’t the real world. The people, the scene: they just don’t seem real to me.
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Sometimes it's not the people who change, it's the mask that falls off.
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I was reduced to pure concept. My flesh had dissolved; my form had dissipated. I floated in space. Liberated of my corporeal being, but without dispensation to go anywhere else.I was adrift in the void. Somewhere across the fine line separating nightmare from reality.
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This was never any place I was meant to be. This isn’t a place for me.
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Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through, is now like something from the distant past. We're so caught up in our everyday lives that events of the past, like ancient stars that have burned out, are no longer in orbit around our minds. There are just too many things we have to think about every day, too many new things we have to learn. New styles, new information, new technology, new terminology ... But still, no matter how much time passes, no matter what takTerminologyes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone. And for me, what happened in the woods that day is one of these.
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It depends on which reality you take and which reality I take.
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Loneliness becomes an acid that eats away at you.