Haruki Murakami Quotes
-
The strength I'm looking for isn't the type where you win or lose. I'm not after a wall that'll repel power coming from outside. What I want us the kind of strength to be able to absorb that kind of power, to stand up to it.The strength to quietly endure things - unfairness, misfortunes, sadness, mistakes, misunderstandings.
-
If you miss the bus, miss the train, you’d be left behind. So everyone says, let’s get on the train, let’s get on the bus and go faster and get rich... I just didn’t like that kind of lifestyle. I love to read books, to listen to music.
-
Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
-
Her partially open lips now opened wide, and her soft, fragrant tongue entered his mouth, where it began a relentless search for unformed words, for a secret code engraved there. Tengo's own tongue responded unconsciously to this movement and soon their tongues were like two young snakes in a spring meadow, newly wakened from their hibernation and hungrily intertwining, each led on by the other's scent.
-
What would tomorrow bring? I wondered. Both hands on the wheel, I closed my eyes. I didn’t feel like I was in my own body; my body was just a lonely, temporary container I happened to be borrowing. What would become of me tomorrow I did not know.
-
It's like Tolstoy said. Happiness is an allegory, unhappiness a story.
-
Understanding' is merely the sum total of our misunderstandings.
-
This is what it means to live on. When granted hope, a person uses it as fuel, as a guidepost to life. It is impossible to live without hope.
-
Let me just tell you this, Watanabe," said Midori, pressing her cheek against my neck. "I'm a real, live girl, with real, live blood gushing through my veins. You're holding me in your arms and I'm telling you that I love you. I'm ready to do anything you tell me to do. I may be a little bit mad, but I'm a good girl, and honest, and I work hard, I'm kind of cute, I have nice boobs, I'm a good cook, and my father left me a trust fund. I mean, I'm a real bargain, don't you think? If you don't take me, I'll end up going somewhere else.
-
That’s how stories happen — with a turning point, an unexpected twist. There’s only one kind of happiness, but misfortune comes in all shapes and sizes. It’s like Tolstoy said. Happiness is an allegory, unhappiness a story.
-
I'm not trying to imply I can keep up this silent, isolated facade all the time. Sometimes the wall I've erected around me comes crumbling down. It doesn't happen very often, but sometimes, before I even realize what's going on, there I am--naked and defenseless and totally confused. At times like that I always feel an omen calling out to me, like a dark, omnipresent pool of water.
-
Nothing in the real world is as beautiful as the illusions of a person about to lose consciousness.
-
For me, running is both exercise and a metaphor. Running day after day, piling up the races, bit by bit I raise the bar, and by clearing each level I elevate myself. At least that’s why I’ve put in the effort day after day: to raise my own level. I’m no great runner, by any means. I’m at an ordinary – or perhaps more like mediocre – level. But that’s not the point. The point is whether or not I improved over yesterday. In long-distance running the only opponent you have to beat is yourself, the way you used to be.
-
I'm scared," she said. "These days I feel like a snail without a shell." "I'm scared too," I said. "I feel like a frog without any webs." She looked up and smiled. Wordlessly we walked over to a shaded part of the building and held each other and kissed, a shell-less snail and a webless frog.
-
In certain areas of my life, I actively seek out solitude. Especially for someone in my line of work, solitude is, more or less, an inevitable circumstance. Sometimes, however, this sense of isolation, like acid spilling out of a bottle, can unconsciously eat away at a person's heart and dissolve it. You could see it, too, as a kind of double-edged sword. It protects me, but at the same time steadily cuts away at me from the inside.
-
As if to build a fence around the fatal emptiness inside her, she had to create a sunny person that she became. But if you peeled away the ornamental egos that she had built, there was only an abbys of nothingness and the intense thirst that came with it. Though she tried to forget it, the nothingness would visit her periodically - on a lonely rainy afternoon, or at dawn when she woke up from a nightmare. What she needed at such times was to be held by someone, anyone.
-
Sometimes I feel so- I don’t know - lonely. The kind of helpless feeling when everything you’re used to has been ripped away. Like there’s no more gravity, and I’m left to drift in outer space with no idea where I’m going’ Like a little lost Sputnik?’ I guess so.
-
Exhaustion pays no mind to age or beauty. Like rain and earthquakes and hail and floods.
-
The curious thing about individuals is that their singularity always goes beyond any category or generalization in the book.
-
Those were strange days, now that I look back at them. In the midst of life, everything revolved around death.
-
This was never any place I was meant to be. This isn’t a place for me.
-
This may be the most important proposition revealed by history: At the time, no one knew what was coming.
-
And when you come back to Japan next summer, let's have that date or whatever you want to call it. We can go to the zoo or the botanical garden or the aquarium, and then we'll have the most politically correct and scrumptious omelets we can find.
-
Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system.