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The most dangerous creature here would have to be me. So maybe I'm just scared of my own shadow.
Haruki Murakami -
I dream. Sometimes I think that’s the only right thing to do. To dream, to live in the world of dreams. But it doesn’t last forever. Wakefulness always comes to take me back.
Haruki Murakami
-
You’re here,” I continued. “At least you look as if you’re here. But maybe you aren’t. Maybe it’s just your shadow. The real you may be someplace else. Or maybe you already disappeared, a long, long time ago. I reach out my hand to see, but you’ve hidden yourself behind a cloud of probablys. Do you think we can go on like this forever?
Haruki Murakami -
The ground we stand on looks solid enough, but if something happens it can drop right out from under you.
Haruki Murakami -
And, well, mine are kind of on the heavy side anyway. The first day or two, I don't want to do ANYTHING. Make sure you keep away from me then.' I'd like to, but how can I tell?' I asked. O.K., I'll wear a hat for a couple of days after my period starts. A red one. That should work,' she said with a laugh. 'If you see me on the street and I'm wearing a red hat, don't talk to me, just run away.
Haruki Murakami -
Don't you think it would be wonderful to get rid of everything and everybody and just go some place where you don't know a soul?
Haruki Murakami -
I’ve had that kind of experience myself: I’m looking at a map and I see someplace that makes me think, ‘I absolutely have to go to this place, no matter what’. And most of the time, for some reason, the place is far away and hard to get to. I feel this overwhelming desire to know what kind of scenery the place has, or what people are doing there. It’s like measles - you can’t show other people exactly where the passion comes from. It’s curiosity in the purest sense. An inexplicable inspiration.
Haruki Murakami -
Crying is personal. On the other hand, laughing is more general . Laughing makes our hearts wider.
Haruki Murakami
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TYou know what girls are like. They turn twenty or twenty-one and all of a sudden they start having these concrete ideas. They get super realistic. And when that happens, everything that seemed so sweet and lovable about them begins to look ordinary and depressing.
Haruki Murakami -
She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me.
Haruki Murakami -
It feels good to think about you when I'm warm in bed. I feel as if you're curled up there beside me, fast asleep. And I think how great it would be if it were true.
Haruki Murakami -
How about Proust's In Search of Lost Time?" Tamaru asked. "If you've never read it this would be a good opportunity to read the whole thing." "Have you read it?" "No, I haven't been in jail, or had to hide out for a long time. Someone once said unless you have those kinds of opportunities, you can't read the whole of Proust.
Haruki Murakami -
Each individual has their own unique color, which shines faintly around the contours of their body. Like a halo. Or a backlight. I'm able to see those colors clearly.
Haruki Murakami -
As long as I stared at the clock, at least the world remained in motion. Not a very consequential world, but in motion nonetheless. And as long as I knew the world was still in motion, I knew I existed. Not a very consequential existence, but an existence nonetheless. It struck me as wanting that someone should confirm his own existence only by the hands of an electric wall clock. There had to be a more cognitive means of confirmation. But try as I might, nothing less facile came to mind.
Haruki Murakami
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When it's all over, it'll seem like a dream.
Haruki Murakami -
Unfortunately, the clock is ticking, the hours are going by. The past increases, the future recedes. Possibilities decreasing, regrets mounting.
Haruki Murakami -
You throw a stone into a deep pond. Splash. The sound is big, and it reverberates throughout the surrounding area. What comes out of the pond after that? All we can do is stare at the pond, holding our breath.
Haruki Murakami -
Not to excuse myself, but when you have people right in front of you denying your very presence like that, then see if you don't doubt whether you actually exist. I look at my hands half expecting to see clear through them.
Haruki Murakami -
Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami -
Sometimes I wonder why I'm a novelist right now. There is no definite career reason why I became a writer. Something happened, and I became a writer. And now I'm a successful writer.
Haruki Murakami
-
Her partially open lips now opened wide, and her soft, fragrant tongue entered his mouth, where it began a relentless search for unformed words, for a secret code engraved there. Tengo's own tongue responded unconsciously to this movement and soon their tongues were like two young snakes in a spring meadow, newly wakened from their hibernation and hungrily intertwining, each led on by the other's scent.
Haruki Murakami -
I'm scared," she said. "These days I feel like a snail without a shell." "I'm scared too," I said. "I feel like a frog without any webs." She looked up and smiled. Wordlessly we walked over to a shaded part of the building and held each other and kissed, a shell-less snail and a webless frog.
Haruki Murakami -
As I see it, you are living with something that you keep hidden deep inside. Something heavy. I felt it from the first time I met you. You have a strong gaze, as if you have made up your mind about something. To tell you the truth, I myself carry such things around inside. Heavy things. That is how I can see it in you.
Haruki Murakami -
Let me just tell you this, Watanabe," said Midori, pressing her cheek against my neck. "I'm a real, live girl, with real, live blood gushing through my veins. You're holding me in your arms and I'm telling you that I love you. I'm ready to do anything you tell me to do. I may be a little bit mad, but I'm a good girl, and honest, and I work hard, I'm kind of cute, I have nice boobs, I'm a good cook, and my father left me a trust fund. I mean, I'm a real bargain, don't you think? If you don't take me, I'll end up going somewhere else.
Haruki Murakami