Paul Merton Quotes
When I was nine I spent a lot of my time reading books about the history of comedy, or listening to the Goons or Hancock, humour from previous generations.
Quotes to Explore
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There's a fast-track if you can do the networking. For some personalities it works, but for mine it doesn't.
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I do make a good ragu pasta, which everyone seems to like. Or that could be just me talking; who knows what they really think. I actually stole the recipe from my older sister Vera, who also loves to cook. I took all my recipes from her.
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I think that when you don't look at the good things around you, that you lose sight of all those good things. And you're not going to enjoy your life.
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I rarely think about myself that much. I really don't.
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An economy genuinely local and neighborly offers to localities a measure of security that they cannot derive from a national or a global economy controlled by people who, by principle, have no local commitment.
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If there is a good musical reason, I think it might draw more attention and sell, though it is not guaranteed. To make a record without a musical reason, you have to either be a pop star who sells automatically or just be lucky.
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Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
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The more a general is accustomed to place heavy demands on his soldiers, the more he can depend on their response.
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The happiness I feel in having a family has brought me a real beauty.
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You only live once, but if you do it right, once is enough.
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Ever since I was young, if somebody needs help, you help them out.
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The obsession required to see a feature through from concept to release is not a rational thing to do with your brief time on this planet. Nor is it something to which an intelligent person should aspire.
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Of course, this being Perl, we could always take both approaches.
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There is an inverse correlation between the cleanliness of a bathroom and my 3-year-old daughter's need to move her bowels.
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We cannot judge either of the feelings or of the characters of men with perfect accuracy from their actions or their appearance in public; it is from their careless conversations, their half-finished sentences, that we may hope with the greatest probability of success to discover their real characters.
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Working with Waylon Jennings and Willie Nelson takes you up another level.
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We need a defense budget that's big enough to sustain an increase in the size of the Army.
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Smart companies fail because they do everything right. They cater to high-profit-margin customers and ignore the low end of the market, where disruptive innovations emerge from.
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There's nothing quite as irksome as someone else's mess.
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The thing about comedy is it gives you a platform to expose your own shortcomings, so it becomes a public display of weirdness.
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'I cannot define failure because I don't believe in failure. There is no failure in my book. All I see is success, directed by the Spirit of God.'
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I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader.
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When I was 20, I wrote a film on spec and sent it to the BBC. They wrote back, 'Usually, when we reject submissions, we like to offer some encouragement, but in your case, we don't see any point in you continuing.' I took it as encouragement anyway, thinking that only people who write terrible things are capable of writing great things.
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When I was nine I spent a lot of my time reading books about the history of comedy, or listening to the Goons or Hancock, humour from previous generations.
