Paul Newman (Paul Leonard Newman) Quotes
Well, the nice thing about animation, you don't even really have to account for yourself. All of the physical stuff that you work on as an actor, you just throw away.
Quotes to Explore
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Every different director has another language - for instance, Hitchcock does not like any bright color ever, unless the story says 'there goes the girl in a red dress.'
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Experiencing those moments of being alone... is a very, very weird flooring and exposing position to be in when you're just not used to it... But I've never been lonely. And with my kids Mia and Joe that remains the case.
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As far as how much you listen to the audience, you listen to them when they really hate something.
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Now, I guess, people want stars. People are trying to invent stars.
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The idea that I could push the envelope using dedication and research and endless curiosity has propelled me in my life's work.
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I feel like I'm married to what I do, to the streets. And I feel like when the streets are mad, it's serious.
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You know what it's like: you don't want to read your old books again. All you can see are the flaws, what you would do differently.
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People don't know what to do when writing a story with teens that takes place now - they think you have to make a bunch of references to Facebook.
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I'm proud to have played characters who've inspired people to live out loud, and I'm lucky to have reached an audience that's been incredibly enthusiastic and supportive.
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I don't think I would do better books if I wrote full time. I write for amateurish reasons.
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I believe that a politician needs to be with people.
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You know, you have to put bread on the table. So you thank God you got the job.
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Men have made the world. And they've made a brilliant job of it. I love men. You know, men, you built Paris and you invented The Beatles, and, you know, and you've taught dogs to say 'sausages.' You know, I love your world. Thank you for it.
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Shake was a dramatist of note; He lived by writing things to quote.
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Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
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No education is worth having that does not teach the lesson of concentration on a task, however unattractive. These lessons, if not learnt early, will be learnt, if at all, with pain and grief in later life.
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I want to make Seoul the front line of the new South Korea. Seoul is sleeping, and I want to wake it up.
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I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
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The first time I landed in New York and got a cab to my hotel, I was completely struck by it: a feeling of life and chaos, 24 hours around the clock, just like in London. And whatever your problem is, it's insignificant. You're just a small part of something very big.
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Alas, in 1929 came the Stock Market crash and everything changed and became worrisome. People started practicing conservatism because of financial losses, myself included.
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All my economic ideas as developed over twenty-five years can be summed up in the words: agricultural-industrial federation. All my political ideas boil down to a similar formula: political federation or decentralization.
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I feel like it's my responsibility and my obligation to stand up and to say that which I believe to be the truth.
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Well, the nice thing about animation, you don't even really have to account for yourself. All of the physical stuff that you work on as an actor, you just throw away.
