Robert Wyatt Quotes
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I would like to think that the singer is the butterfly, and the drummer was just the little grub in the ground, working to become a caterpillar
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Love is blind. My politics has been, too. I think you can fall in love with ideas, and you can fall in love with people. It's a very subjective experience. And I'm loyal to that experience.
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There are a lot of composers who were fantastic, but I challenge them to write a record that you could play five times a day for two months on the radio, songs that people will want to dance to on a Saturday night.
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What keeps me going is a constant sense of disappointment with what I've already done.
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I think there are deep structural things that are wrong in the world. The US is the Western empire of the 19th century regrouping in the 20th, not out of wickedness, but because everybody else in Eurasia was so completely destroyed by the Second World War. Economically, that was quite a useful time for the US, so they ended up in the position of enormous power. And like any great power, they're going to act in their own interests. The problem is due to what the business community wants, which is to make as much money as they can out of what other people do and pay as little as possible for it.
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Im not, by nature, a collaborator. My biggest influences were people like painters and poets. These are solitary workers.
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What I like about popular culture is its accessibility, and I've covered popular songs because they are amazing things.
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It's funny that Chairman Mao's great hero was Napoleon, because Napoleon started out as a revolutionary for the underdogs and then made himself an emperor. In fact, a lot of revolutionary leaders do that, and you think, "Well, that's spoiling your argument. What are you doing?" But on the other hand, the people themselves are enjoying trying out all these different ways to be. I hope that, like the Japanese, the Chinese hang on to their own traditions as well as try out Western ones. I hate it when people just lose so much confidence in who they are that they abandon their own culture.
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When I'm singing I try not be a singer with a capital S. I just try to get it out so I feel comfortable with it.
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The United States is a country where everybody can start again.
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Drinking was a big help with me making music, because drinking gives you courage. But it also makes you reckless, and that's the trouble.
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In theory, I'd like to work in a group. But the group I'd like to work in, all the musicians in them are long since dead.
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I think that pop, and to some extent rock, are like sport and fashion industry in that they're about the exuberance of youth. That's the sort of subliminal ideology.
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I can't imagine my life without the extraordinary bebop jazz revolution in New York in late '40s and '50s.
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I do think there are deep structural things that are wrong in the world.
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I consider myself a sit-down comedian really, as much as anything else. I love comedy. Life is a cosmic joke.
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Potentially, America is really the greatest, but it's not yet, I don't think. It's too much like an old-fashioned empire, waving the stick and dropping too many bombs on too many people.
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I'm naturally quite conformist, really. If I go to a country and they say, "You've got to drive on the right," I'm not going to drive on the left to show that I'm different. I'm able to stick to the law.
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People have habits about what they think songs should be like. There's the folky thing of: "Poor me, I'm a sensitive person in a cruel world." Or the pop thing of: "Hey, look at me, I'm sexy."
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There are people I would like to work with. Its a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I cant really circulate. So I tend to stick to my own thing.
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I don't find the business easy. The moment you start talking about the business, you start sounding like someone in Spinal Tap.
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It just doesnt mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.
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The gap between rich and poor is, in fact, widening enormously. This idea of building up the powers of people who are already powerful and keeping everyone else back is a recipe for endless misery and conflict.
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Even if you're specific about the character of the song, it's more exciting to place them, juxtapose them in such a way as to make an adventure out of the sequence of the songs.