Heather Locklear Quotes
Quotes to Explore
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I want to resume the life of a shy person.
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I think if a horror movie is really scary, you'll think about it for weeks, and there's something kind of fun about that - about our art, really.
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I'm not an ultra-libertarian who thinks there shouldn't be insider-trading laws at all.
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I personally don't think you should ever date someone you work with, will work with, etc. I won't ever date an actor.
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There aren't a whole lot of things I want out of life. My bucket list is extremely short: Achieve the success in the industry I want, and get married. If I achieve both of those, I can die completely stoked. I don't need anything else.
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Perfect order is the forerunner of perfect horror.
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You get to a point where everything is so important. One day you have 'Letterman,' and the next day you're at the MTV Movie Awards, and the next day you have a sold-out show for over 15,000 people. You can't cancel anything, because it's just too much to let everyone down, which is an interesting thing about being in a bigger band.
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I have all sorts of problems and feel discouraged.
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When I auditioned for drama college, they asked me to do my Shakespeare. I couldn't do it. They asked me to do my modern, and I couldn't do it. They asked me if I had a song prepared, and I said 'No,' so I sang 'Happy Birthday.' And I did a reasonable improvisation, a reasonable one, nothing special at all. I don't know how I got in, but I did.
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I've had watermelon hair where I had pink with green tips. From the age of 13 to about 19 or 20, I never had my real hair color.
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All I have seen teaches me to trust the creator for all I have not seen.
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I was very slender and small. All my friends were on the team, so I had to make it too. I was a very aggressive player. I wanted to be one of the best, but I just ended up as one of the good ones.
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Nobody gets justice. People only get good luck or bad luck.
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I don't like to be feared, and I can't work in conflict, I'm very bad with conflict. I try to avoid it, it paralyzes me.
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My mother taught me about the power of inspiration and courage, and she did it with a strength and a passion that I wish could be bottled.
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I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
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I look at singing and acting as one career, and I love the chance to do both in the same project. I need to do both. When I'm doing one, I miss the other.
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'Great Expectations' has been described as 'Dickens's harshest indictment of society.' Which it is. After all, it's about money. About not having enough money; about the fever of the getting of money; about having too much money; about the taint of money.
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I don't have traceable literary models because I haven't had great literary influences in my life.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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The U.S., especially Hollywood, is so strong for film production.
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Hollywood and the recording industry argue that current law permits the copying of songs and movies, and sharing them on the Internet. This enables young people to grow up learning how to steal.
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I don't know how Hollywood sees me.
