Hedi Slimane Quotes
Vulnerability is beautiful to me. There might be a need to fabricate your own beauty paradigms. I guess I never quite bought into any kind of standard.
Quotes to Explore
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Our contribution purely depends on our consciousness and our willingness to support those in need, to show vulnerability and accept the support of others, to share without expecting the credit, to give it our all and allow our hard work to decide the outcome, to understand that control can only be achieved with a shared responsibility.
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Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.
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Mainly, I hope to inspire honesty. We live in a space where so much can be manipulated, and so much is expected to be manipulated - curated, contrived, edited. I think that's a real detriment to self expression and happiness in a lot of ways. In my mind, honesty and vulnerability is the way forward.
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Vulnerability is the strongest state to be in. How boring would it be if we were constantly dominant or constantly submissive?
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You show your vulnerability through relationships, and those feelings are your soft spot. You need to have a soft spot.
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If your character is just out there acting a fool, viewers are gonna say, 'Why am I watching this?' But if he's whispering, 'I don't really want to die,' there's a level of vulnerability cemented in these bad characters.
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In the beginning, people think vulnerability will make you weak, but it does the opposite. It shows you're strong enough to care.
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What's beautiful about the actual acting class environment is that you can use it to push through everything: push your voice, push your inhibitions, push your fears, push your confidence, push your vulnerability, push your silences.
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Through my research, I found that vulnerability is the glue that holds relationships together. It's the magic sauce.
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My music is about being strong, even in your vulnerability.
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It's the first villain that I've played in a movie that has absolutely no vulnerability and no innocence, nothing whatsoever that is likeable about her other than she's so bad.
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I personally have a philosophy around authenticity and vulnerability.
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Dick Van Dyke was my first idol. He's an amazing physical comedian, like a classic clown, but also very smart and not afraid to show vulnerability.
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There seems to be a vulnerability at the networks in late night. They are losing more and more audience, particularly young viewers who are now looking at cable television. 'Tonight' is an old show. CBS has reruns, and having a public affairs series like 'Nightline' on ABC is a big mistake.
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I try to be thoughtful when I speak but not edited. I make mistakes, but people like vulnerability.
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The key in telling stories that people relate to is, not surprisingly, vulnerability and authenticity. That means that letting people know the struggle behind your brand - the failures and mistakes - and how you got through them is really important.
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I have a million career weaknesses, and although it's uncomfortable, I believe that authentically acknowledging and working through your vulnerability is more powerful than the delusion of perfection.
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It earns you a lot of snark if you're able to convey vulnerability.
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I take a wolf's rib and whittleit sharp at both endsand coil it upand freeze it in blubber and place it outon the fairway of the bears.
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'Shetland' is adapted from the novel 'Red Bones.' The book is based around an archaeological dig, and the mystery starts with the murder of the elderly woman who crofts the land where the dig is happening.
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Thinking of Melville, thinking of Poe, thinking of Mark Twain and Vachel Lindsay, thinking of Jack London and Tom Wolfe, one begins to feel there is almost no way of becoming a creative writer in America without being a loser.
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Men give love because they want sex. Women give sex because they want love. That's the difference between men and women. Ever notice how when we talk about our love lives, it's always about a man? Singular. All most of us want is one good man. But when men talk, it's about women. Plural. They want as many as they can get.
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Mysteries and thrillers are not the same things, though they are literary siblings. Roughly put, I would say the distinction is that mysteries emphasize motive and psychology whereas thrillers rely more heavily on action and plot.
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Vulnerability is beautiful to me. There might be a need to fabricate your own beauty paradigms. I guess I never quite bought into any kind of standard.
