Hedy Lamarr Quotes
Quotes to Explore
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I like the term 'misunderstood.' But I am a bit of a bad boy.
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The Violence Against Women Act is so important. It provides money to train the cop on the beat, to train the judges that this is a new day, that we won't tolerate this violence and to know how to deal with it.
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It is important to expect nothing, to take every experience, including the negative ones, as merely steps on the path, and to proceed.
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We must all learn to adjust with our surroundings.
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Clinton saw himself much more as the steward of alliances and of consensus that moved in the right direction. He didn't see himself as someone who could change the overall thrust, I think, of global policy.
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I love baseball. And American Football, too. But not rugby.
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Vitality shows in not only the ability to persist but the ability to start over.
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I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
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I just went to an acting agency one day and just said, 'I would like to act. Would you take me?' And they took me.
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Coaching in the NBA is not easy. It's like a nervous breakdown with a paycheck.
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The fact is that in too many communities in cities in Britain gangs now have become completely rooted into these communities and they destroy them around them.
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I have Chinese blood in me... I am not ashamed to admit that perhaps the great leaders of our country all have Chinese blood.
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I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.
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I have these visions of myself being thirty, thirty-five, forty having a family.
Nastassja Kinski -
In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
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When I'm filming, it's in the contract - 'No kiteboarding' - ha ha.
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I'm a sponge when it comes to stories. I'd say everything influences me in some way, but for 'Red Queen' in particular, I was really affected by the 'A Song of Ice and Fire' series by George R. R. Martin.
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You can live a wonderful life, you can love God with all your heart, and you can love your husband or wife very passionately and have a balance in your life. I live by balance.
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One must marry one's feelings to one's beliefs and ideas. That is probably the only way to achieve a measure of harmony in one's life.
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'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old – obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.
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I've always had an uneasy relationship with technology and how it insinuates itself into our lives: for example. I always prefer talking face-to-face with friends than texting or calling, and if I want to get updates on their lives, I don't go to Facebook but meet them in person.
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The barometer for judging the character of people, in regard human rights, is now those who consider themselves gay, homosexual, lesbian. The judgment as to whether you can trust the future, the social advancement - depending on people - will be judged on where they come out on that question.
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Each time I did assignments or editorials, I realized that I wanted to do something more. I saw that it wasn't just about the clothes.
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Films have a certain place in a certain time period. Technology is forever.
