Ethan Zohn Quotes
Quotes to Explore
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As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters.
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Growing up, you always want to hang with your dad - go fishing or whatever. But my dad was always working, so we never really had time for that. I think I kind of learned to accept it.
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Whether people be of high or low birth, rich or poor, old or young, enlightened or confused, they are all alike in that they will one day die.
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I'm moved by people who see the world differently than others. People who see the world with a longing for its poetry often can be broken people.
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If you can play live and support yourself, it's one of the few ways you're going to actually get paid in this business these days.
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I think that the legitimacy of the court would be undermined in any case if the court made a decision based on its perception of public opinion.
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The one thing I am now sure of is that if there is such a thing as destiny, it is a result of our passion, be that for money, power, or love. Passion, for better or worse.
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You feel like you need to deal with a lot if you're from Cleveland, so you learn to let things roll off your back, and you learn that humor is the best way to deal with it.
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My whole life is a theater piece.
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Plums are a good substitute for gooseberries.
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I always loved going to Hawai'i; it was very, very special.
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A good discourse is that from which nothing can be retrenched without cutting into the quick.
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I am nice to everybody. But people really take advantage of it.
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One may no more live in the world without picking up the moral prejudices of the world than one will be able to go to hell without perspiring.
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I want to move people the way Edith Piaf did.
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I just think we want to stay healthy, and I don't think we think about a sense of urgency. We realize how old we are, we realize we've been playing this game for a long time, but you know what? We're not done yet.
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It just blows me away that I am on, I don't know what generation of fans.
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It's summertime and the living is easy. Fish are jumping and the cotton is high. Your daddy's rich and your mama's good -looking. Hush, little baby don't you cry.
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Black America surely faces an existential crisis, but not the one imagined in the condescending news media - of somehow getting non-black America to be more just and generous. The truth is, we've already been through that, and there is nothing left to do. We're out of 'affirmative actions' of all kinds.
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I crave your mouth, your voice, your hair. Silent and starving, I prowl through the streets. Bread does not nourish me, dawn disrupts me, all day I hunt for the liquid measure of your steps.
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While 'The Wire' feels startlingly lifelike, it is not, in fact, a naturalistic depiction of ghetto life. That kind of realism better describes an earlier miniseries of Simon's, 'The Corner,' which was based on the book of the same title that he and Ed Burns wrote, set in the same Baltimore ghetto.
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I juggle a lot of different balls and sometimes I don't know how I manage to keep them all up in the air, but I do!
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My hair is my identity.
