Eugene Ionesco Quotes
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I have no other pictures of the world apart from those which express evanescence, and callousness, vanity and anger, emptiness, orhideous useless hate. Everything has merely confirmed what I had seen and understood in my childhood: futile and sordid fits of rage, cries suddenly blanketed by the silence, shadows swallowed up for ever by the night.
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As soon as one knows one is going to die, childhood is over.... So one can be grown up at seven. Then, I believe most human beings forget what they have understood, recover another sort of childhood that can last all their lives. It is not a true childhood but a kind of forgetting. Desires and anxieties are there, preventing you from having access to the essential truth.
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A nose that can see is worth two that sniff.
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Childhood is the world of miracle or of magic: it is as if creation rose luminously out of the night, all new and fresh and astonishing. Childhood is over the moment things are no longer astonishing. When the world gives you a feeling of "déjà vu," when you are used to existence, you become an adult.
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To me the world seems grotesque, absurd, ridiculous, painful.
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We are made to be immortal, and yet we die. It's horrible, it can't be taken seriously.
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The human comedy does not attract me enough. I am not entirely of this world. I am from elsewhere, and it is worth finding this elsewhere beyond the walls...but where is it?
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If one does not understand the usefulness of the useless and the uselessness of the useful, one cannot understand art.
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I started writing for the theatre because I hated it.
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Why do people always expect authors to answer questions? I am an author because I want to ask questions. If I had answers, I'd be a politician.
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To tear ourselves away from the everyday, from habit, from mental laziness which hides from us the strangeness of reality, we must receive something like a real bludgeon blow.
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The more I try to explain myself, the less I understand myself.
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Every work of art unless it is a psuedo-intellectualist work, a work already comprised in some ideology that it merely illustrates, as with Brecht is outside ideology, is not reducible to ideology. Ideology circumscribes without penetrating it. The absence of ideology in a work does not mean an absence of ideas; on the contrary it fertilizes them.
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Drama lies in extreme exaggeration of the feelings, an exaggeration that dislocates flat everyday reality.
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You can only predict things after they have happened.
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I just can't get used to life.
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Of course, not everything is unsayable in words, only the living truth.
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In the history of humanity there are no civilizations or cultures which fail to manifest, in one or a thousand ways, this need for an absolute that is called heaven, freedom, a miracle, a lost paradise to be regained, peace, the going beyond History... There is no religion in which everyday life is not considered a prison; there is no philosophy or ideology that does not think that we live in alienation.... Humanity has always had a nostalgia for the freedom that is only beauty, that is only real; life, plenitude, light.
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If I write a new play, my point of view may be profoundly modified. I may be obliged to contradict myself and I may no longer know whether I still think what I think.
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I am not capitulating.
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Nothing makes me more pessimistic than the obligation not to be pessimistic.
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DAISY: I never knew you were such a realist-I thought you were more poetic. Where's your imagination? There are many sides to reality. Choose the one that's best for you. Escape into the world of imagination.
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A writer never has a vacation. For a writer, life consists of either writing or thinking about writing.
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A civil servant doesn't make jokes.