Eva Mendes Quotes
What makes it frustrating is when a director or a studio head doesn't see me for the same part that they'll see, let's say, Drew Barrymore for. Drew's a great friend of mine. But it's like, "No, we want more of an American type of girl."
Quotes to Explore
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I'm a believer in trusting the director.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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I got to work with legendary director Garry Marshall.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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I'm not the kind of director who aims to send a message out.
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I'm happiest when I can just be a director and watch.
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The audience has always been my best director.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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I love movies where you can sense that the director risked biting off more than they can chew.
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You need a director, a script, and a role to justify a risk.
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My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
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I'm not like one of those actors who's a frustrated director.
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I need to thank my director, producers, and artists as well crew members of all my projects.
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I wouldn't want to be just pigeonholed as an extravagant director.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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I love the first two X-Men movies because I thought that Bryan Singer did such a great job. He elevated that whole genre. He's a very talented director.
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Were I not married to the director, I'm not sure I'd know anything about the 'Underworld' sequel.
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If we have come up with a creative decision and somebody comes up with another idea, you do have to get into the depths of it and ask: "Is it a better idea? Or is it a different idea?" That can be hard. But that's the type of conversation the director and I will have, or as part of our creative groups. So with that in mind, it's hard to keep a budget in line. It's like in life, if you've ever built anything for the first time you're usually better at it the second time.
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One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
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On Harry dug, deeper and deeper into the hard, cold earth, subsuming his grief in sweat, denying the pain in his scar.
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If Rilke cut himself shaving, he would bleed poetry.
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I like trees because they seem more resigned to the way they have to live than other things do.
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What makes it frustrating is when a director or a studio head doesn't see me for the same part that they'll see, let's say, Drew Barrymore for. Drew's a great friend of mine. But it's like, "No, we want more of an American type of girl."
