Evan Esar Quotes
Quotes to Explore
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I like to practise. With every new piece, you make mistakes and you learn. So it's important to get on and have another go.
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Matching shoes and bags immediately age you by 10 years.
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I'm a huge fan of 'Eastbound & Down.' It's one of my favorite shows.
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I always feel the danger because you might always be subject to an unexpected or emergency event.
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My diet is mostly chicken and fish. I make sure I get a lot of vegetables, a lot of fruit. I am a big fruit man, I am a vegetable man anyway. And I also get a lot of rest. That's the key I may be up early, but I'm in bed early too.
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Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
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I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
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No one escapes from the past without bearing some of its burdens.
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I love people who break boundaries and always create something new and fresh.
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As more ad spending shifts online, the ability to have expertise and to innovate quickly will become critical.
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Everybody is improving but I am improving slowly, which seemingly widens our distance.
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The first responsibility of the Muslim is as teacher. That is his job, to teach. His first school, his first classroom is within the household. His first student is himself. He masters himself and then he begins to convey the knowledge that he has acquired to the family. The people who are closest to him.
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My real name is Amethyst. It sounds like a stage name. My mom is kind of crazy.
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I was born in Jerusalem in 1939 to a poor family that shared a rented four-room apartment with two additional families and their children.
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The U.S. and European markets have become mature, profit margins are lower, and equipment isn't so new. Because profits are relatively low, it limits the willingness of companies to invest in newer equipment.
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The teaching thing, the one where I have to impart my knowledge, is probably what comes the least naturally to me because I'm an absorber of things.
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When I go to where I was getting excellent parts in movies I may have taken a few too soon, too anxious to go back to work and to anxious to make another film and to succeed more.
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It's pure Black Label. It's about violence and booze. That's all it is. There is no plan.
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I really feel like I honed in on a sound and a style of writing that best fits me.
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What interests me is all the stuff that goes into abstract and abstract-figurative art. Not the styles, but the stuff that, in various combinations, make the styles: mixing and matching painting methods and ideas.
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In the '50s, critics used to say I had a 'dangerous' act.
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I don't campaign for the end of the aristocracy or the upper classes; I don't really want to destroy anything at all. I just want more plurality.
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We don't want to repeat the unintended consequences that surfaced following the NAFTA agreement.
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If you want to be successful, you must either have a chance or take one.
