Ezra Pound Quotes
The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
Quotes to Explore
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I want to work with producers who are unique and have a different sound.
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I do think you get lonelier and lonelier being an artist as you get older.
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Our contribution purely depends on our consciousness and our willingness to support those in need, to show vulnerability and accept the support of others, to share without expecting the credit, to give it our all and allow our hard work to decide the outcome, to understand that control can only be achieved with a shared responsibility.
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I was so worried when I left 'GH:' so scared I'd never work again.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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There's something to be said in favor of working in isolation in the real world.
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From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
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My people have been sucked into the violence because some feel they have to retaliate, and some feel they have to protect themselves.
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The biggest mistake is to assume that another writer's successful strategy will work for you, too. Publishers' marketers - and even freelance publicists who cost mega bucks - tend to do the same basic things for all books.
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In my view, wholesome pleasure, sport, and recreation are as vital to this nation as productive work and should have a large share in the national budget.
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The rules of sexism do not free men from the terror of violence; they only keep men from complaining about it.
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Neither creator nor critic can make himself universal by barely taking thought about it. He is what he lives. The measure of the creator is the amount of life he puts Into his work. The measure of the critic is the amount of life he finds there.
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We've all done things we shouldn't, it's just I did stuff at college, when nobody knew about it, so I'm not a saint. … I wasted time doing self-destructive things but it didn't work. I found out you can only dance on so many tabletops. I got that all out of my system and now I'm healthy and I'm grounded.
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What is the point of all this violence? Nothing is being proven, nothing is being won. Just a massive waste of life. God help us. Love>death
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There is an old show business saying which warns never to work with animals or children, but nobody prepared me for Molly Meldrum.
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Work harder than everybody. Read scripts, watch movies. Help other writers, it makes you better. And probably move to L.A.
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Before BLM, there was a dormancy in our black freedom movement. Obviously many of us were doing work, but we've been able to reignite a whole entire new generation, not just inside the U.S. but across the globe, centering black people and centering the fight against white supremacy.
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In America, we like everyone to know about the good work we're doing anonymously.
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When you reach your sixties, you have to decide whether you're going to be a sot or an ascetic. In other words if you want to go on working after you're sixty, some degree of asceticism is inevitable.
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Deal first with whatever is causing you the greatest emotional distress. Often this will break the logjam in your work and free you up mentally to complete (the) other tasks.
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The emotions you see when you watch 'Narcos,' they're pretty much my emotions and the way I would react if I were there. It's not something you create; all of us have everything inside ourselves.
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Non-proliferation will only work if all states are willing to cooperate, and that will only happen if all feel they are being treated fairly.
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If there is a solution to a problem, there is no need to worry. And if there is no solution, there is no need to worry.
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The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
