Ezra Pound Quotes
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There is no reason why the same man should like the same books at eighteen and at forty-eight.
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Artists are the antennae of the race, but the bullet-headed many will never learn to trust the great artists.
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A classic is classic not because it conforms to certain structural rules, or fits certain definitions It is classic because of a certain eternal and irrepressible freshness.
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It is more than likely that the brain itself is, in origin and development, only a sort of great clot of genital fluid held in suspense or reserved. This hypothesis would explain the enormous content of the brain as a maker or presenter of images.
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A people that grows accustomed to sloppy writing is a people in the process of losing grip on its empire and on itself.
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See, they return; ah, see the tentative Movements, and the slow feet, The trouble in the pace and the uncertain Wavering! See, they return, one, and by one, With fear, as half-awakened; As if the snow should hesitate And murmur in the wind, and half turn back.
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Presentation, not reference.
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The thought of what America would be like If the Classics had a wide circulation Troubles my sleep (Cantico del Sole)
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There are few things more difficult than to appraise the work of a man suddenly dead in his youth; to disentangle promise from achievement; to save him from that sentimentalizing which confuses the tragedy of the interruption with the merit of the work actually performed.
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What matters is not the idea a man holds, but the depth at which he holds it.
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The eyes of this dead lady speak to me For here was love, was not to be drowned out. And here desire, not to be kissed away. The eyes of this dead lady speak to me.
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In verse one can take any damn constant one likes, one can alliterate, or assone, or rhyme, or quant, or smack, only one MUST leave the other elements irregular.
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The sum of human wisdom is not contained in any one language.
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The art of letters will come to an end before A.D. 2000. I shall survive as a curiosity.
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It is the business of the artist to make humanity aware of itself.
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Our own consciousness is incapable of having produce the universe. God, therefore, exists. That is to say, there is no reason for not applying the term God, Theos, to the intimate essence.
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The only chance for victory over the brainwash is the right of every man to have his ideas judged one at a time. You never get clarity as long as you have these packaged words, as long as a word is used by twenty-five people in twenty-five different ways. That seems to me to be the first fight, if there is going to be any intellect left.
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And the good writer chooses his words for their 'meaning', but that meaning is not a a set, cut-off thing like the move of knight or pawn on a chess-board. It comes up with roots, with associations, with how and where the word is familiarly used, or where it has been used brilliantly or memorably.
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Technique is the test of sincerity. If a thing isn't worth getting the technique to say, it is of inferior value.
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The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.
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Small talk comes from small bones.
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The real meditation is ... the meditation on one's identity. Ah, voilà une chose!! You try it. You try finding out why you're you and not somebody else. And who in the blazes are you anyhow? Ah, voilà une chose!
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What matters most is not the idea, but the capacity to believe in it completely.
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But the one thing you should. not do is to suppose that when something is wrong with the arts, it is wrong with the arts ONLY.