Ryan Gosling Quotes
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I am pretty sick with myself! It seemed a pretty good idea at the time. Around the time I turned 30, I started to feel very creative, more creative than I had been before which is good and I like that.
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The theme for me is love and the lack of it. We all want that and we don't know how to get it, and everything we do is some kind of attempt to capture it for ourselves.
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I tried to find something real in essentially something thats science fiction or something-for me, anyways-not having an experience like this.
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I'm Canadian so American politics are not really in my wheelhouse.
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I feel there is something nice about not talking. Like you can say more by actually saying less.
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Mannerism is when you think you have all these great ideas, and none of them are good at the end of the day. But while you are pursuing those other things subconsciously happen.
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I never was that boy who loved gangster films, but when I was growing up, I was obsessed with the detective Dick Tracy. It was one of my favourite movies as a kid, and he really inspired me. I would have loved to be part of that golden age of Hollywood in the 1940s. It made me want to become an actor.
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I went through puberty in a theme park. I'm grateful. That place was a landscape to me. I had adventures every day.
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As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.
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Women are mad at me. A girl came up to me on the street and she almost smacked me. Like, ‘How could you? How could you let a girl like that go?’ I feel like I want to give people hugs, they seem so sad. Rachel and I should be the ones getting hugs! Instead, we’re consoling everybody else.
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A lot of people when they make movies, the actors act like it's their journey and that everyone is on the set to facilitate their journey and the whole thing is set up that way - they ask if you want anything.
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I've learned it's important not to limit yourself. You can do whatever you really love to do, no matter what it is.
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I think that you can sort of have your own personal journey and you know, you can just kind of apply that to whatever characters you're playing.
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You know how sometimes department stores have these things where, if you win, you get 10 minutes to go in and take anything you want from the store? That's basically what I'm doing. I'm running in and just trying to grab as many characters as possible before they pull the plug on me.
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I feel it's important to show that one thing that you do doesn't define you as a human being. It doesn't mean there aren't ramifications or you shouldn't pay for that but, its not who you are.
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It's not good just to have life experience of film-making and that's all. It's hard to play a real person when you've been in jets and town cars for three years.
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I sometimes forget to have breakfast in the morning, but when I actually buy a box of cereal, I will probably eat it not only for breakfast but also as a snack later on.
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Cars can have a hypnotic effect. You can get in a car and get out and not really remember the trip.
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I dont feel like I would be a good mentor. I dont know what I have to offer in that respect. I do this for pretty selfish reasons.
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I loved growing up in Canada. It’s a great place to grow up, because - well, at least where I grew up -it’s very multicultural. There’s also good health care and a good education system.
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It's sad, because he just doesn't have any ambition outside of loving his wife and his daughter — which should be enough but doesn't seem to be enough in this case.
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You can't make a movie for everybody. You can't go into it trying to alienate people, but you have to assume that you're going to.
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I’ve been lucky, so lucky, working with ... Rachel (McAdams) on The Notebook. A big draw for me, when I do a film, is who am I going to be opposite, because there’s only so much I can do on my own.
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I feel like everything has happened naturally.