Samuel Ullman Quotes
Quotes to Explore
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Every time I go to Comic-Con, I'm jacked. I want to dress up and walk the floor and answer questions, because I'm excited about it. It's like making new friends.
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When I'm singing I feel like I'm talking to someone. I'm in conversation when I perform - either with myself or with whomever is listening.
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If you're conservative in Hollywood, you're on a list of people who need to be put in their place.
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I'm now the Lord of the Brighton Manor.
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We are called to be architects of the future, not its victims.
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We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game.
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Pity him who lives at homeHappy with his life,Without a dream, a flexing of wings,To make him relinquishEven the warmest ember of his hearth!Pity him who is happy!He lives because life lasts.Nothing within him whispersMore than the primeval law:That life leads to the grave.
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I write songs about things that I'm simultaneously trying to not think about.
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Poetry is the supreme fiction, madame. Take the moral law and make a nave of it And from the nave build haunted heaven. Thus, The conscience is converted into palms, Like windy citherns hankering for hymns.
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We have a saying in the union: 'If a fellow looks like a duck and quacks like a duck and walks like a duck, the possibility is that he is a duck.' That is the way with a Communist. If the guy does everything that the party does, the prospects are very good that he is a party member or fellow traveler.
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For the devil had long ago taken a shine to Tert Card, filled him like a cream horn with itch and irritation. His middle initial was X. Face like cottage cheese clawed with a fork.
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From a Dataist perspective, we may interpret the entire human species as a single data-processing system, with individual humans serving as its chips. If so, we can also understand the whole of history as a process of improving the efficiency of this system through four basic methods:
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In a film, you have to externalize things that are internal and of course it becomes a debate about to what extent you do that.
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There's a certain way you stand to give yourself authority, which gives you the texture for the part. I chose that my character hadn't been married, he'd worked his way up the chain of command. For a small cameo role, I gave it a lot of thought.
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That's sort of what I felt... I miss drinking, I thought bars were truly holy places.
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I always loved fish for the colors and birds for the plumage. In the same way, I loved those women of the cabaret. They were birds of paradise.
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Something different happens to my brain when I put pen to paper: the pace of writing or drawing slows you down and gives you more time for thoughts to come in.
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I know where I am headed and how will I evolve. There's nothing stopping you. I don't have a family background on films, and I will need to work for it.
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There are even many huts built entirely of the universal aloe.
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I do a lot of traveling around the world.
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There are certain pieces of music that are always attached to certain books.
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There are a lot of female artists my age around at the moment, but they're all American and blonde and blue-eyed and smiley. I'm totally the opposite of that. I want to show a bit more attitude and I have an opinion.
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My father was a writer/director/producer, so instead of throwing a ball around, our bonding was going to see movies. And at an early age, I knew if I wanted to impress my dad, it was not going to be by throwing a ball real far.
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If youth only knew, if age only could.