Sandra Bullock Quotes
It's the rare happening when actors get together and you have chemistry, connection, just something that works, that's bigger than what's on the page.

Quotes to Explore
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Comedy, we may say, is society protecting itself - with a smile.
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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Mo Udall didn't want the presidency bad enough. He was too sane. He was a marvelous guy, but you had the feeling there was another Udall outside his body watching the candidate Udall who was too extravagant, telling him to cut it out.
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The sleeplessness is proven; it eradicates your memory.
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It's very simple. You have to be faithful to your other half and not have secrets. That's my rule.
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I always had a struggle, which I still do, when you're playing a character and it's not necessarily your morals or your values. You're playing a character, but the way the media will sometimes ask you if these are your opinions, you know - they make you responsible for that, and I take issue with it because I don't believe in censorship.
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The art of interpretation is not to play what is written.
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'Molly's Game' was a true story about a remarkable young woman named Molly Bloom. She was this close to going to the Olympics; she was ranked third in North America in women's moguls.
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When I was young, all the books were about a Mary Jane and the football player and the prom and ending up with the quiet guy and making your mom happy.
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I'm not really that interested in going back to playing small supporting roles.
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There is also a natural and very, very strong empathy with the underdog, with people who have suffered, people who have been pushed around by foreigners in particular, but also by their own people.
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I just love to see people having a good time.
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I was a commercial roofer before this, until about age thirty. I will not work others under me and do not want to work under others.
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If you look at the human condition today, not everyone is well fed, has access to good medical care, or the physical basics that provide for a healthy and a happy life.
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I'm doing a little consulting. I'm somewhat retired, still a director of a company or two.
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Writing for theatre is certainly different to writing an essay or any other kind of fiction or prose: it's physical. You're also telling a story, but sometimes the story isn't exactly what you intend; maybe you uncover something you had no idea you were going to uncover.
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We're Jews, my family, and Jews break down into two distinct subcultures: book Jews and money Jews. We were money Jews.
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My dream is to have a bed of my own in Los Angeles and one in Sweden.
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This morning's scene is good and fine, Long rain has not harmed the land.
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I'd say for us, obviously we have a long way to go. We're going to have to go home. We've got a lot of work to do.
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I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.
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We're bigger now than we were in the late 70s when we were peaking.
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Working out and working as an actor have gone hand in hand—I always feel more prepared if I know I have done a workout. It gives me confidence—and peace of mind.
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It's the rare happening when actors get together and you have chemistry, connection, just something that works, that's bigger than what's on the page.