Sandra Cisneros Quotes
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You meditate and then you can put on your pajamas, or you can imagine you're wearing your pajamas, and you talk about your piece of writing in the language you would use if you were wearing your pajamas and you were seated at a table with your very good friend. And you wouldn't have to get all dressed up or clean up the table.
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Mom used to walk with me for something like two or three miles to get to the day-old bakery. They had those machines where you buy doughnuts, those vending machines with the long johns and doughnuts. We would buy those bagels and pastries because that was our treat. And come back with shopping bags of these sweets, and who knows what was in it? That was what we could afford that could feed that many people.
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What I recommend is this: after you've talked to everybody, go take a nap! Take a nap. Your body really needs to sleep. It's like washing your face. If you can't afford a three-hour nap, do a one-hour nap. If you can't afford a one-hour nap, do half an hour. If you can't afford half an hour, do fifteen minutes.
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I just feel that the East and the West are two different worlds. I sometimes get saddened when I see that very few writers of color are published or reviewed in East Coast presses and magazines.
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I can't hang around with lots of people these days because I am hypersensitive. So when I am around a lot of people or a big roomful of people I get almost autistic. I get overwhelmed and really tired. So I don't like being around large groups.
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I am obsessed with becoming a woman comfortable in her skin.
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Revenge only engenders violence, not clarity and true peace. I think liberation must come from within.
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Even my mom. I have to tell her, "If you want a snack, don't go to bed with potato chips. Eat a handful of pistachios and a handful of dates."
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One of the things we learned from that panel is the way poor communities use a library is very different from wealthy communities. But the way the library books are measured are by how many books are taken out. And people in poor communities sometimes won't take the book out because they're afraid to. They're afraid of losing it and not being able to replace it.
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I was the kind of person that was very social and liked to be with an entourage and have lots of parties and have people around me. And now I find I am much more satisfied seeing people one-on-one. I avoid crowds, and I get really plagued by people as if they are bees or something. I am talking about my friends. I can only handle them one at a time.
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All of my works are performance pieces, as is true for many writers of color, writers who have indigenous roots - because our basis is spoken word.
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You know how they say, "Find your voice"? That's your voice, in your pajamas. And it doesn't mean that you're going to publish it or print it or people are going to see you in your pajamas. It just means you are going to construct the foundation in your pajamas, in that voice.
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The house was immaculate, as always, not a stray hair anywhere, not a flake of dandruff or a crumpled towel. Even the roses on the dining-room table held their breath. A kind of airless cleanliness that always made me want to sneeze.
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There are still many writers out in the Bay, extraordinary writers like Gina Valdez, a poet who I just saw in Portland. We have young people like Eduardo Corral, who won the Yale Younger Poets Award. José Antonio Rodriguez, published by Luis Rodriguez. But there are only a few of us who are paid attention to in New York. There are legions behind us who are not.
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When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre. I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet. Or the comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
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Every book changes my writing because I'm always trying to do something I didn't do before. I try to do what's hard for me, what I haven't done in the past.
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I am one who leaves the table like a man, without putting back the chair or picking up the plate
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Mice and any rodentia. Guinea pigs. Even rabbits, I can't stand. Rabbits are cousins to rats. It's a class thing. If you had to grow up with rats scampering in your backyard, because the city services were cut in half and the population in your neighborhood doubled, then that also is going to mean that the flora and fauna are going to grow as well. So that's a part of it. That's why I can't go to Hindu countries where they respect rats and mice, and I can't go camping.
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So how are you supposed to learn how to drive with this guy yapping at you? My brothers were the ones who got to practice. So when you have to get on the expressway, you're afraid. That's what I think. That's why I take back routes on two-lane highways.
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I find myself using Spanish words much more now that I'm older, and I guess I have the authority to do it in public spaces in ways that I felt I couldn't when I was teaching here fifteen years ago.
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Instead of putting cheese with ranchero sauce, chile is really very good for you. If you put that in, you get flavoring, so you're not eating bland food, especially if you're used to spicy food.
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'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. 'Latino' is the word we have always used for ourselves.
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Bricks are crumbling in places, and the front door is so swollen you have to push hard to get in
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My readers are as diverse as any group you will ever see. Something that booksellers always tell me. That they are always surprised at the kind of people that come to my readings. That they are such a mix of ages and colors. It looks like people spilling out of an elevator.