-
For example, there's no word emocionó in English, so I have to say, "You, you really emotioned me," It's more precise, even though it sounds odd. "My father emotioned me." Or "That performance really emotioned to me."
Sandra Cisneros -
Even if you're an agnostic or an atheist, you can create an altar, because an altar is simply paying homage to someone's life and celebrating what they did.
Sandra Cisneros
-
I can't stand it when people say, "If you're writing a novel, you should read this and that." Because it's like giving someone another person's prescription. How do you know that's what they need?
Sandra Cisneros -
Sometimes I feel I can't quite master my written and spoken Spanish, because I'm too much a student of English. I would need another lifetime to learn it.
Sandra Cisneros -
I was raised in Chicago, so always used Latina. It's what my Father and brothers called ourselves, when we meant the entire Spanish-speaking community of Chicago.
Sandra Cisneros -
As an artist, I have to be the ambassador of everything.
Sandra Cisneros -
The ego's blocking the light from coming.
Sandra Cisneros -
I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet.
Sandra Cisneros
-
Many books that you read, they have those disclaimers that say that, "None of the events and none of the people are based on real life" and so on... Well, I don't believe that. I think that as human beings many people touch us, especially people we love the most and we can't help but do character sketches when we go to our art.
Sandra Cisneros -
When you become a driver, they don't tell you that you have to switch languages. The drivers have their own language and they don't tell you that as girls. How am I supposed to know that blinking light means something? There are all these little languages that you have to know, but you don't know.
Sandra Cisneros -
I believe love is always eternal. Even if eternity is only five minutes.
Sandra Cisneros -
Believe me, that nap is better than sitting there for three hours and nothing's coming. I've learned that even if I've slept nine hours and I just finished breakfast, if I feel sleepy when I'm in front of that computer, I'll take a nap. And it really does help.
Sandra Cisneros -
There's no perfect place, there's no wonderful utopia.
Sandra Cisneros -
I never know what something is going to be until it emerges from the womb and you see the crown of its head and then you see it pushing its way up. So in my life if another book wants to be born it's not for me to choose.
Sandra Cisneros
-
Writing is like fishing. You don't bow because you made the fish. That's the difference. If you know that, then you bow for your labor.You crafted, you worked, you put in those hours so that you could catch that fish. But you didn't make that fish. You just caught the fish. That will help you stay humble and bow for the right reason and be very lucid about the work you do.
Sandra Cisneros -
When I'm starting to feel, "How many more people are there?" I go slower. I ask questions, and that person engaging with me gives me energy.
Sandra Cisneros -
I learned when I was a student in Connecticut. I had an Italian-American teacher who gave me classes for a week, and then said, "Okay, you're ready." And I wasn't ready. I didn't know how to drive!. But he knew the policeman who gave the test. And that's how I got through.
Sandra Cisneros -
Dennis Mathis was very sensitive about keeping the unique way that I spoke English - it had a lot of Mexicanisms or Mexican syntax. So you keep it in because it's adding something unique.
Sandra Cisneros -
I tell people to write the stories that you're afraid to talk about, the stories you wish you'd forget, because those have the most power. Those are the ones that have the most strength when you give them as a testimony.
Sandra Cisneros -
We can have our hearts broken over so much more. It is important to recognize the full spectrum of heartbreak. We can be heartbroken by lost and by disappointment. But heartbreak is not just this negative image we see, it's not this terrible experience that brings no benefits.
Sandra Cisneros
-
I was looking at a lot of experimental writers, and I was very intrigued by short-short fiction, writers who would write little things, what I call buttons now, little vignettes.
Sandra Cisneros -
To tell you the truth, I think it's about that we shouldn't get our driver's licenses till real late in life.
Sandra Cisneros -
Being on a highway, all that speed and aggression, is very terrifying to me.
Sandra Cisneros -
I feel comfortable in Spanish, I chat like a parrot, but I don't have the confidence in Spanish that I do in English.
Sandra Cisneros