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I learn through listening and watching other performers that are very good, like Denise Chávez, Dorothy Allison.
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I know the books that I need to help me to be wiser than my years and be kinder and more compassionate and more patient than I really am.
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The ego's blocking the light from coming.
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You know how sometimes you're talking to people who love you and give you unconditional love, and you say, "But you know what? Let me back up. I forgot to say . . ."You can do that, right? You don't hesitate and say, "Oh my God! I forgot to say that!". You just speak! And you say it all, until you have nothing more to say. And that's your first draft. It's done.
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Each book gets harder, each book gets harder and harder. I always feel like crying when I have to write.
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Being on a highway, all that speed and aggression, is very terrifying to me.
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If you can't fall asleep, learn how to meditate. I would recommend you listen to a beautiful tape called Spiritual Power, Spiritual Practice Energy Evaluation Meditations For Morning and Evening, 1998. It was the one that got me out of my writer's block when I was writing Caramelo. It's by Carolyn Myss.
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Writing is like fishing. You don't bow because you made the fish. That's the difference. If you know that, then you bow for your labor.You crafted, you worked, you put in those hours so that you could catch that fish. But you didn't make that fish. You just caught the fish. That will help you stay humble and bow for the right reason and be very lucid about the work you do.
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I never know what something is going to be until it emerges from the womb and you see the crown of its head and then you see it pushing its way up. So in my life if another book wants to be born it's not for me to choose.
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The writer Denise Chávez comments on poor food and what you associate with luxury food items. In fact, she wrote a whole book called A Taco Testimony, and though the title sounds light, it's a heavy book. It's about being working class and what kind of food is available to you that's cheap.
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There are a few of the authors that I think have made a great big impact on my life. The way I used to do things when I was younger was more about being outrageous, and there was a lot of ego involved in that.
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Packing is important because a lot of times I have to go places where I have to be in four different climates in three weeks. For example, Bosnia, Ireland, Rome. Different parts of Italy. You have to pack and get it down to a science.
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Dennis Mathis was very sensitive about keeping the unique way that I spoke English - it had a lot of Mexicanisms or Mexican syntax. So you keep it in because it's adding something unique.
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I wish somebody had told me love does not die, that we can continue to receive and give love after death.
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When I'm starting to feel, "How many more people are there?" I go slower. I ask questions, and that person engaging with me gives me energy.
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You don't want somebody who doesn't know his own heart, do you? You'll find someone who's brave enough to love you. Someday. One day. Not today.
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I always have to have sweet and salty. I know some of you are going to say, "Oh, I tried dates. I hate them." That's probably because you had the ones that were on the shelf for three years. Go to some healthy place and get the fresh ones, and you will just love them. You'll start eating them and think they're so good.
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I can't go to Hindu countries where they respect rats and mice, and I can't go camping. I don't like to go into subways, because I always see them. Rats are like my naguales kindred animal spirits. They follow me.
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The thoughts of letting go of everything I love overwhelms like a tsunami of sorrow.
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I was silent as a child, and silenced as a young woman; I am taking my lumps and bumps for being a big mouth, now, but usually from those whose opinion I don't respect.
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I know there are a lot of women who are afraid of driving on highways.
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One of the things Thich Nhat Hanh taught me: he says, "When you're in a hurry, go slower." That works every time, unless you're trying to catch a plane.
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I'm just as unhappy about San Antonio as I was about Chicago. If you're unhappy about certain things, you're unhappy everywhere.
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I learned from the Macarturos. I had never been at a table with a labor organizer and a playwright and a performance artist and an anthropologist and a human rights lawyer. Usually at most gatherings, it's all writers. But suddenly I was at a table with all these different people and I learned from each of them, learned from the work they're doing, learned new ways to solve my problems.