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I wanted to write something in a voice that was unique to who I was. And I wanted something that was accessible to the person who works at Dunkin Donuts or who drives a bus, someone who comes home with their feet hurting like my father, someone whos busy and has too many children, like my mother.
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Why don't we have people like Thich Nhat Hanh or Marshall Rosenberg and Nelson Mandela solving violent situations in a peaceful way?
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You can try reading books that will help you be a leader, like Marshall Rosenberg and Thich Nhat Hanh. Be very humble and say, "I don't know why. I don't feel qualified, but I accept this role that you gave me, and so help me."
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I have to understand what my strengths and limitations are, and work from a true place. I try to do this as best I can while still protecting my writer self, which more than ever needs privacy.
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If you live in poor neighborhoods - I know from living in several poor neighborhoods - the worst supermarkets in the city are in the poorest neighborhoods, where people don't have cars.
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When we started publishing, you had to be better than good. You had to be excellent. But as long as people are reading, I don't care what they're reading.
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The Mexico - United States border was always porous. People have been going and coming back since before the Spaniards arrived. Now we're seeing communities who have family members on the other side very frightened. I feel saddened for those families divided by violence. The whole border area is under siege.
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For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.
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Even if we don't know if God exists, we can be certain love exists, because its power transcends death.
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The beauty of literature is you allow readers to see things through other peoples eyes. All good books do this.
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You don't have to be the specialist on everything. You can try to inform yourself.
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Think about the books that you were reading at a certain crisis in your life, what you were reading, and that's because you needed them to nourish your alma.
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I have to take care of the house, and the dogs, and the Macondo Board meetings, all those e-mails, the letters that are going to fans. And you've got to pay bills. These things eat up your time. You have to prepare and pack to go on that trip. Then when you come back you have to file all that stuff, answer all that mail, and that's not even washing the clothes or any of that. So it takes as many days as I've been away to come back to normal and to get quiet.
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There's a lot of things that haven't been communicated to our communities. I didn't know these things myself. I didn't know that if you ate cheap food, it was like buying cheap gasoline, and there was a reason why after an hour you get headaches, or youhypoglycemic.
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I grew up with this kind of grocery store that caters to the poor. They serve you the worst food.
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When you speak words that are relevant to people, they automatically shut up and you know you are in the presence of some very magical words. It's a gift when someone can listen and be quiet and not interrupt.
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I think that it's not enough to do the little Band-Aid things of having celebrities come and read to children. Not that we don't need to read to children, but we don't need to just do it one time and feel good about it. I think we need to think long range about poor people and their relationship to libraries.
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I can get by and chatter and talk and tell funny stories, make people laugh, but I don't have as many words, I don't have the vocabulary. I think if I forced myself to read in Spanish - you know, I always say I'm going to, but I lose my patience reading in Spanish, because I really do read the way a third grader does, mouthing the words. That takes a long time!
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Maybe all pain in the world requires poetry.
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It's what's available to the poor communities. They do buy healthy stuff, you know, but the lettuce is usually iceberg lettuce and to get any taste, they have to use all that ranch dressing.
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One of the things I used to dream of is that if I could just be funny like Red Skelton, if I could be a comedian like Red Skelton - that's what I watched on TV - then maybe I would have friends. I just remember that if I told stories to my friends, they listened. And in my family, with nine people talking at the same time, it's really hard to get people to listen to you. We were all craving attention.
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You know how women have this clock when they want to have a baby? I had this clock where I wanted to win a national award by thirty, be at a big press by thirty-five. I was always working with these self-driven goals.
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The stories are what no one wants to talk about. So you make up a story because no one is going to tell you the truth.
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But I deal with this by meditating and by understanding I've been put on the planet to serve humanity. I have to remind myself to live simply and not overindulge, which is a constant battle in a material world.