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To me, the Virgen de Guadalupe is just a vessel for me to recognize my own God within myself.
Sandra Cisneros -
I was reading Carl Sandburg and Gwendolyn Brooks, and I'm still very, very deeply moved by Gwendolyn Brooks's life and her work.
Sandra Cisneros
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Why don't we have people like Thich Nhat Hanh or Marshall Rosenberg and Nelson Mandela solving violent situations in a peaceful way?
Sandra Cisneros -
Even though it's hard to believe, but people who know me really well know I'm shy. I have to go past that fear.
Sandra Cisneros -
I don't think I'll write a large novel again because it was like being in jail for me. Even though that's the funniest book I've ever written, it was the saddest period of my life.
Sandra Cisneros -
It's what's available to the poor communities. They do buy healthy stuff, you know, but the lettuce is usually iceberg lettuce and to get any taste, they have to use all that ranch dressing.
Sandra Cisneros -
We have all this courage as writers, but then there's this fear.
Sandra Cisneros -
You don't have to be the specialist on everything. You can try to inform yourself.
Sandra Cisneros
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I have to take care of the house, and the dogs, and the Macondo Board meetings, all those e-mails, the letters that are going to fans. And you've got to pay bills. These things eat up your time. You have to prepare and pack to go on that trip. Then when you come back you have to file all that stuff, answer all that mail, and that's not even washing the clothes or any of that. So it takes as many days as I've been away to come back to normal and to get quiet.
Sandra Cisneros -
And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.
Sandra Cisneros -
I think that it's not enough to do the little Band-Aid things of having celebrities come and read to children. Not that we don't need to read to children, but we don't need to just do it one time and feel good about it. I think we need to think long range about poor people and their relationship to libraries.
Sandra Cisneros -
Courage always bigger than what you think you can handle, but you're never going to be given something you can't handle. So you say, "Okay, when you tell me what it is that I'm supposed to do, please give me the courage to do it."
Sandra Cisneros -
When we started publishing, you had to be better than good. You had to be excellent. But as long as people are reading, I don't care what they're reading.
Sandra Cisneros -
The beauty of literature is you allow readers to see things through other peoples eyes. All good books do this.
Sandra Cisneros
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My feminism is humanism, with the weakest being those who I represent, and that includes many beings and life forms, including some men.
Sandra Cisneros -
You can try reading books that will help you be a leader, like Marshall Rosenberg and Thich Nhat Hanh. Be very humble and say, "I don't know why. I don't feel qualified, but I accept this role that you gave me, and so help me."
Sandra Cisneros -
You don't want somebody who doesn't know his own heart, do you? You'll find someone who's brave enough to love you. Someday. One day. Not today.
Sandra Cisneros -
That's why it's important to be multilingual, because it teaches you so much about your own language.
Sandra Cisneros -
For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.
Sandra Cisneros -
The ability to be present with every single person and engage was a great model for me of the work that a writer needs to do. Writers, living or dead, still guide me in many ways.
Sandra Cisneros
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When you speak words that are relevant to people, they automatically shut up and you know you are in the presence of some very magical words. It's a gift when someone can listen and be quiet and not interrupt.
Sandra Cisneros -
Think about the books that you were reading at a certain crisis in your life, what you were reading, and that's because you needed them to nourish your alma.
Sandra Cisneros -
When I was writing Caramelo the last couple of years, a sixty-hour work week was normal. And now I'm lucky if I have eight hours.
Sandra Cisneros -
If you know two cultures and two languages, that intermediate place, where the two don't perfectly meet, is really interesting.
Sandra Cisneros