Sandra Cisneros Quotes
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I was very lucky. I don't know German, or Dutch, or Chinese, or Thai. I don't know them, so I can't judge, so I have to go on the word of the publisher that it's a good translation.
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You get good at being by yourself and you're condemned to a life sentence of solitude. You think, "Wait a minute! I should have been a tap dancer or something". But in my life, I feel like I take my stories to people orally.
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I don't close myself to the possibility of someplace outside the United States, but it would have to be someplace with an indigenous community, because that's where I feel at home.
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The Mexico - United States border was always porous. People have been going and coming back since before the Spaniards arrived. Now we're seeing communities who have family members on the other side very frightened. I feel saddened for those families divided by violence. The whole border area is under siege.
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I'm not afraid to say what I'm afraid of. Does that make me fearless?
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True love in Mexico isn't between lovers; it's between a parent and a child. Mexico is a very intense culture of sons adoring their mothers, and this is why I claim that Mexican culture is matriarchal. Because the one constant, faithful, inviolable, holy love of loves - the love of your life - is not your wife or your lover; it's your mother.
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If you have potato chips, that means, "Who's coming over?"Wealthy people - white people who're wealthy - have a bag of potato chips that's folded over with a clip. "What? There's some left over?" In my house, if there was a bag of potato chips, we'd pour it in a bowl and everybody would just dip in till it was gone.
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When I was at home, I wasn't shy. I was the clown at home, because I was loved. It was in the outside world that I was judged and I wasn't loved. That was very clear to me, that I wasn't loved. So I became very quiet. You know, those little girls you see in those pictures that look like they want to hunch, I was trying to disappear into my shoulder blades. The quietest person in the classroom, that was me. But that wasn't me at home.
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Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. When you're thinking of your listener, that's when you start stuttering and it's just because you're nervous that your listener is passing judgment.
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One of the things I used to dream of is that if I could just be funny like Red Skelton, if I could be a comedian like Red Skelton - that's what I watched on TV - then maybe I would have friends. I just remember that if I told stories to my friends, they listened. And in my family, with nine people talking at the same time, it's really hard to get people to listen to you. We were all craving attention.
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You know how women have this clock when they want to have a baby? I had this clock where I wanted to win a national award by thirty, be at a big press by thirty-five. I was always working with these self-driven goals.
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I think my family and closest friends are learning about my need to withdraw, and I am learning how to restore and store my energy to both serve the community to the best of my ability and to serve my writer's heart.
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Thich Nhat Hanh the one that revolutionized Buddhism. Instead of being monks just engaged in meditation, it was active Buddhism. You went out and felt the ills of the community around you. Instead of retreating to a monastery, you were out in the streets working. And he's been a great help to me, just reading his book, so I don't feel helpless about what I can do about all the violence around me.
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I like to think about the bestseller list as, "This is the medicine cabinet of a very sick country." Let me look and see what they're reading that isn't nourishing them.
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Friends started saying, "Oh, don't come. No vengas. It's dangerous for us, and we live here." Then there's also the issue, if you go back, and you happen to be Mexican-American, you get treated very differently in Mexico than if you're blond. If you say something wrong, they say, "Why don't you learn your mother tongue?"
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I think people are much more concerned about money now. There aren't the big advances of the past. You feel the sense of nervousness about the book industry. It's not like before. Not that I knew very much about what it was like because I was a newcomer to it, but I get that feeling that people are more conservative in their book choices and what they are going to publish and what's a sure sell. As opposed to - just like in the economy - a sense of luxury and sense of risk taking ten years ago.
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The stories are what no one wants to talk about. So you make up a story because no one is going to tell you the truth.
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I never paid attention when people said, "That's gotta be poetry. That's gotta be fiction," except when I was in a graduate program, and you had to claim your genre.
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I had a mother who walked to the library with me, and you can't walk to a lot of libraries in San Antonio because - guess what? - there are no sidewalks, except in the neighborhoods. And they're across big boulevards, and it's so hot, you can't even walk to the corner. So things like that affect how children can get to libraries. So there are a lot of things involved.
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San Antonio drives me crazy, but Chicago drives me crazy in a different way.
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I think one of the great primordial fears we have once we become conscious of our aloneness as children is the fear of losing our mother. We have that from the moment we realize we can lose her just in the supermarket. As a child, it was more terrifying than arithmetic.
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Post 9/11, we've seen such disastrous policies on the border. I live two and a half hours away from the border, and I've seen changes for the communities there. I feel like it's an occupied zone. We're losing our rights, and both sides of the border are terrified. The Mexican population and the U.S. population are united in fear.
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Imagine Americans who go to Paris. Why would you want to go where someone's going to disparage you? Why would you go anywhere where they treat you bad? Well, that's how it is for us to go to Mexico. You have to be on your guard, because I think the Mexicans are harder on the Mexicans, the Mexican-Americans. They don't see us as Mexican. I think part of it's a class issue and a color issue. We're more connected to their servants, so what are we doing staying at a nice hotel? There's a kind of shame.
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You know, if you've got nine people that you've got to get a treat for - because you do have sweet food, even if you're poor - you can't go out and buy a Sara Lee cake. You buy the big bag of cookies, those chocolate and vanilla ones with the icing. That has a lot of trans fat in it, but it goes a long way with a lot of people.