Sandra Cisneros Quotes
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There are two things you need to ask for, to open up that channel, so you get the light. One is humility, because our ego is always going to block that guidance, and so you ask for humility.And the second thing you're going to ask for is courage, because what you're going to be asked to do is bigger than what you think you can do.
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That's why it's important to be multilingual, because it teaches you so much about your own language.
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You get good at being by yourself and you're condemned to a life sentence of solitude. You think, "Wait a minute! I should have been a tap dancer or something". But in my life, I feel like I take my stories to people orally.
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Imagine Americans who go to Paris. Why would you want to go where someone's going to disparage you? Why would you go anywhere where they treat you bad? Well, that's how it is for us to go to Mexico. You have to be on your guard, because I think the Mexicans are harder on the Mexicans, the Mexican-Americans. They don't see us as Mexican. I think part of it's a class issue and a color issue. We're more connected to their servants, so what are we doing staying at a nice hotel? There's a kind of shame.
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I was very lucky. I don't know German, or Dutch, or Chinese, or Thai. I don't know them, so I can't judge, so I have to go on the word of the publisher that it's a good translation.
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Why don't we have people like Thich Nhat Hanh or Marshall Rosenberg and Nelson Mandela solving violent situations in a peaceful way?
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The stories are what no one wants to talk about. So you make up a story because no one is going to tell you the truth.
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The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life.
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Once you can open yourself to joy, you feel as if you've transformed your sadness into illumination, which is really all that art is. All we want to do is transform the negative emotions into light. We want to compost them into light.
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Catholicism believes in the Virgen de Guadalupe. The mother of God is worshipped, especially in Latin America. I find her very empowering. I find that the Virgen de Guadalupe allowed me to return to parts of my upbringing I had disregarded.
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You know how women have this clock when they want to have a baby? I had this clock where I wanted to win a national award by thirty, be at a big press by thirty-five. I was always working with these self-driven goals.
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When I lost my father, I thought I learned about grief and transition. However, nobody tells you what it's like to lose your mother. They don't tell you that you're going to feel like an orphan at whatever age you are as an adult.
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You don't have to be the specialist on everything. You can try to inform yourself.
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I think that you need to have books that talk about the lives of the poor, and they need to be involved - involved in acquisitions.
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I grew up with this kind of grocery store that caters to the poor. They serve you the worst food.
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If you live in poor neighborhoods - I know from living in several poor neighborhoods - the worst supermarkets in the city are in the poorest neighborhoods, where people don't have cars.
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I feel like I am in a box of bees when I am in a room with lots of people and I'm just looking for the door. I find myself getting more and more agoraphobic as time goes on.
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I didn't marry. I didn't have children. I followed the food supply for jobs. I kept writing at night. And that kept me moving. It kept my life disruptive. It broke up many relationships. Was it worth it? Yes.
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When I was at home, I wasn't shy. I was the clown at home, because I was loved. It was in the outside world that I was judged and I wasn't loved. That was very clear to me, that I wasn't loved. So I became very quiet. You know, those little girls you see in those pictures that look like they want to hunch, I was trying to disappear into my shoulder blades. The quietest person in the classroom, that was me. But that wasn't me at home.
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I was reading Carl Sandburg and Gwendolyn Brooks, and I'm still very, very deeply moved by Gwendolyn Brooks's life and her work.
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Don't be afraid to say what you don't know, and speak for what you do know. Say, "I can't speak for all Latinas, but I can speak for me and tell you very, very honestly."
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The ability to be present with every single person and engage was a great model for me of the work that a writer needs to do. Writers, living or dead, still guide me in many ways.
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When I say what I'm reading, this is what I need. I know the ills that plague me.
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I can get by and chatter and talk and tell funny stories, make people laugh, but I don't have as many words, I don't have the vocabulary. I think if I forced myself to read in Spanish - you know, I always say I'm going to, but I lose my patience reading in Spanish, because I really do read the way a third grader does, mouthing the words. That takes a long time!