Sandra Cisneros Quotes
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We are told by media - books, television, reality shows - that heartbreak is this terrible thing and yet we should seek it. We're told that heartbreak is all about love and we should just go after that high over and over again. We are told it is healthy to be addicted to this kind of behavior and the highs associated with love. But, that's not all what heartbreak is.
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I'm learning a lot by reading teachers like Thich Nhat Hanh, Pema Chodron. They teach me because I feel like I have a responsibility to the communities that I speak to.
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I've been on television saying, "¡Vamos a la biblioteca!". That was great. Nobody had ever asked me.
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What you're going to be asked to do is bigger than what you think you can do. It's always bigger than what you think you can handle, but you're never going to be given something you can't handle.
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You'll change. You'll see. Wait till you meet Mr. Right.
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Everything that I write comes when it wants to, out of its own need and it dictates its form. I don't say, "I am going to write a novel."
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I don't just want to talk to the choir. I want to sit down and be respectful of the people who are most unlike me, to get them to hear me and think. It doesn't mean you're going to change them right there, but just so they can hear you and what you're saying.
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There's all kinds of ways to wean yourself off of sugar - because it is like an addiction.
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If we got an educational program going, we could tell people, "Instead of butter, use avocado." That's something we eat, it has the good fat, and it has a good texture, and it tastes better. Just imagine if you substituted that. Or if we switched to olive oil, the extra virgin olive oil, we could still have our taquitos, but put a little oil on them and put them in the oven and bake them.
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My friend, Dennis Mathis, was reading Eastern European and Japanese experimental writers, and I brought the Latin American writers to his attention, so we exchanged books and bounced off one another.
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The devil knows more from experience than from being the devil
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My Spanish is a daughter's Spanish. I write, but my Spanish really is very limited.
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We changed it to emocionó, the way you say in Spanish, "to emotion me" to be moved. That, as opposed to "haunt." We wanted the feeling of sadness and grief and obsession, so we used emocionó.
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San Antonio drives me crazy, but Chicago drives me crazy in a different way.
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The ideal for me is to mix it up. When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre.
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Books are medicine and you have to take the right medicine that you need at that moment or that day or that time in your life.
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That's what you need for your writing - to learn how to be present, learn how to be calm. So take that nap, do that meditation.
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Get yourself empty in the Eastern sense. Not in the Western sense. In the Western sense when we feel empty we feel lonely, miserable, but in the Eastern sense - "I'm so empty, because I'm filled with everything, and I'm connected to everything." It's very energizing. You want that kind of emptiness, whatever you have to do to get yourself quiet.
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Perhaps the community you mentioned might not come to the story. Sometimes you have to take the story to them, and perform it, and that's another way that I get an alternate point of view that isn't the official version of history out to a community. I feel that's what I've been doing since Caramelo.
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Afterwards, people come and say, "I felt like you said that just to me. What you said is something I'm going through right now," so you know that spiritual connection is going on.
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When you have a flourishing of the economy you have a flourishing of the arts.
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I am not in touch with other writers. I don't have very much contact with other writers. I don't get invited to these things or I don't go to them. I hate panels. I speak to librarians and to conferences of English teachers. That's what I do: teachers and librarians. And high school kids.
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By community I mean that community you have a special vision for, that only you see, that no one else in a room sees. That special community in pain, that through a pain you've suffered, you're able to have that vision, that super-ray vision.
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I'm from Chicago, so the Chicago working-class poets still mean a great deal to me.