Sandra Cisneros Quotes
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Even though it's hard to believe, but people who know me really well know I'm shy. I have to go past that fear.
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I know the American Library Association has models for working with the poor. They do have that, and I think that we really need to put our efforts - if we want to think long-range and invest in the community so that we don't have to, you know, invest in prisons - into making a change, because I know that the library can make a change in a life, because it made a change in mine.
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I was very lucky. I don't know German, or Dutch, or Chinese, or Thai. I don't know them, so I can't judge, so I have to go on the word of the publisher that it's a good translation.
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In the past I was very open and very generous, and I found that it just exploded in my face. A lot of people weren't there for me when I needed them. So I have become a little shell shocked. Subsequently almost paranoid and frightened of people now. Maybe I'm losing out in meeting some marvelous people, but I am doing the only thing I can to save my spirit.
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If you know two cultures and two languages, that intermediate place, where the two don't perfectly meet, is really interesting.
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It's so good for your health to take those naps. I don't know why people brag that they sleep five hours. I'd be ashamed. I'm proud that I sleep nine hours.
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When I was writing Caramelo the last couple of years, a sixty-hour work week was normal. And now I'm lucky if I have eight hours.
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I had no concept of this healthy food until very, very late in life, thanks to a trainer/nutritionist that I met who has been working with me since I was forty-five.
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As Indigenous peoples, we know there is more to the world. We know spirits exist. We know as women, because we're especially attuned to this kind of knowledge, that spirits exist and have a presence in our lives. Some of us are gifted and can communicate with the spirit world. Not everyone has that gift and can perceive the borders between the living and the dead and our society actively discourages us of exploring the knowledge of what many of us have already always known in our cultures.
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You know, if you've got nine people that you've got to get a treat for - because you do have sweet food, even if you're poor - you can't go out and buy a Sara Lee cake. You buy the big bag of cookies, those chocolate and vanilla ones with the icing. That has a lot of trans fat in it, but it goes a long way with a lot of people.
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You have to remember that writing itself is so solitary. You start writing because you're lonely.
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You know how sometimes you meet writers that are so full of themselves? They feel really proud that they wrote something . But what they don't understand - and I like to tell this to writers - is that writing is like fishing. It's just like fishing. If you don't fish that often, you're not going to catch that many fish.
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My trainer taught me, because he's Iranian, and that's a beautiful snack pistachios. I have some with me, actually, in my bag. You could eat that on a plane instead of the salted nuts. And a serving size a day is the size of your hand, not the size of your head!
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If you have potato chips, that means, "Who's coming over?"Wealthy people - white people who're wealthy - have a bag of potato chips that's folded over with a clip. "What? There's some left over?" In my house, if there was a bag of potato chips, we'd pour it in a bowl and everybody would just dip in till it was gone.
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I didn't marry. I didn't have children. I followed the food supply for jobs. I kept writing at night. And that kept me moving. It kept my life disruptive. It broke up many relationships. Was it worth it? Yes.
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When we started publishing, you had to be better than good. You had to be excellent. But as long as people are reading, I don't care what they're reading.
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The truth has a strange way of following you, of coming up to you and making you listen to what it has to say.
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We started an organization that's the only sub-organization of the MacArthur Foundation and we are called the Macarturos. Usually when I win something, I'm the only one of my ethnicity to get it, but this time I met all these Latinos, and I was so excited. I'd meet someone and I'd go, "Can you come to San Antonio?" And they'd go, "Oh yeah." And suddenly I had twelve people that said they would come. And I didn't know how it was going to be. And that's how the Macarturos became a reality, where these very generous geniuses come to San Antonio and work together.
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I feel like I am in a box of bees when I am in a room with lots of people and I'm just looking for the door. I find myself getting more and more agoraphobic as time goes on.
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Once you can open yourself to joy, you feel as if you've transformed your sadness into illumination, which is really all that art is. All we want to do is transform the negative emotions into light. We want to compost them into light.
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When I was at home, I wasn't shy. I was the clown at home, because I was loved. It was in the outside world that I was judged and I wasn't loved. That was very clear to me, that I wasn't loved. So I became very quiet. You know, those little girls you see in those pictures that look like they want to hunch, I was trying to disappear into my shoulder blades. The quietest person in the classroom, that was me. But that wasn't me at home.
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How can art make a difference in the world?
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That's why it's important to be multilingual, because it teaches you so much about your own language.
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I don't see any kind of mirror of power, male power, that is, as a form of liberation. I don't believe in an eye for an eye. I don't believe this is truly freedom.