Sandra Cisneros Quotes
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But I deal with this by meditating and by understanding I've been put on the planet to serve humanity. I have to remind myself to live simply and not overindulge, which is a constant battle in a material world.
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When you're in that state of grief, any little breeze, any hello, any confrontation, any grazing of someone meeting your eyes, might cause you suddenly to burst into grief. You could be looking at a jar of peanut butter in the supermarket, and then start crying.
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Bricks are crumbling in places, and the front door is so swollen you have to push hard to get in
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The writer Denise Chávez comments on poor food and what you associate with luxury food items. In fact, she wrote a whole book called A Taco Testimony, and though the title sounds light, it's a heavy book. It's about being working class and what kind of food is available to you that's cheap.
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Every book changes my writing because I'm always trying to do something I didn't do before. I try to do what's hard for me, what I haven't done in the past.
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I was looking at a lot of experimental writers, and I was very intrigued by short-short fiction, writers who would write little things, what I call buttons now, little vignettes.
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Mice and any rodentia. Guinea pigs. Even rabbits, I can't stand. Rabbits are cousins to rats. It's a class thing. If you had to grow up with rats scampering in your backyard, because the city services were cut in half and the population in your neighborhood doubled, then that also is going to mean that the flora and fauna are going to grow as well. So that's a part of it. That's why I can't go to Hindu countries where they respect rats and mice, and I can't go camping.
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I think that it's not enough to do the little Band-Aid things of having celebrities come and read to children. Not that we don't need to read to children, but we don't need to just do it one time and feel good about it. I think we need to think long range about poor people and their relationship to libraries.
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God made men by baking them in an oven, but he forgot about the first batch, and that's how Black people were born. And then he was so anxious about the next batch, he took them out of the oven too soon, so that's how White people were made. But the third batch he let cook until they were golden-golden-golden, and, honey, that's you and me.
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Think about the books that you were reading at a certain crisis in your life, what you were reading, and that's because you needed them to nourish your alma.
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Every writer I admire is my teacher. If you look at it, and if you care to read carefully enough and to read and reread a text, you teach yourself something about craft.
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I've come to some balance now and calmness. If anything happened to me and I got hit by a bus - I hope this doesn't happen, but if something happened - my body of work is something I could rest on. I don't feel, "Oh God, I have to hurry up . . ."
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I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet.
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I realize that when I moved out of my father’s house I shocked and frightened him because I needed a room of my own, a space of my own to reinvent myself.
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Even my mom. I have to tell her, "If you want a snack, don't go to bed with potato chips. Eat a handful of pistachios and a handful of dates."
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The older you get, the more power you have with language as a writer, which means that you have to be extra responsible for what you say, whether it's in print or in front of a microphone, because those words can go out and kill or go out and plant seeds for peace.
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The ego's blocking the light from coming.
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You want to be able to say anything when you do your first draft, because some of that goofy stuff that you think has nothing to do with it is probably where the mother lode is.
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Thich Nhat Hanh the one that revolutionized Buddhism. Instead of being monks just engaged in meditation, it was active Buddhism. You went out and felt the ills of the community around you. Instead of retreating to a monastery, you were out in the streets working. And he's been a great help to me, just reading his book, so I don't feel helpless about what I can do about all the violence around me.
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I never know what something is going to be until it emerges from the womb and you see the crown of its head and then you see it pushing its way up. So in my life if another book wants to be born it's not for me to choose.
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I can't stand it when people say, "If you're writing a novel, you should read this and that." Because it's like giving someone another person's prescription. How do you know that's what they need?
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Heartbreak allows us to also experience joy and love but you have to walk through heartbreak to even know what joy is. Heartbreak is a constant and it is even necessary. It allows us the opportunity of introspection and exploration. Those processes are what is necessary to write and engage in the arts.
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When I was a child, I was very shy, and there's still a part of me that's very shy.
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Don't be afraid to say what you don't know, and speak for what you do know. Say, "I can't speak for all Latinas, but I can speak for me and tell you very, very honestly."