Sam Riley Quotes
Quotes to Explore
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I don't know what the future is, but you just do it whilst it's there, don't you?
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I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.
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Writing for children hadn't occurred to me when I was younger, but nine years of teaching in the upper elementary grades had given me a deep appreciation of the gifts and graces that are specific to individuals with 10 or 11 years of experience as human beings.
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I drink tons of water. It always sounds like the lamest thing, but there's a reason you keep hearing this over and over again. It really works.
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I have been extremely lucky with reviewers and critics throughout my career.
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I just always wanted to be left alone to go into a creative space.
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No one wants to see a person on TV who's super-ultra-cool. That's Superman, that's a thing of the past. Heroes are now flawed, and have terrible tempers, you know? They're real people.
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I do this thing with my daughter - I put my hand on her face and shake her head, but really affectionately. But I didn't think, and I did that to Flea.
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I have to admit that I can't take a whole fig and eat it on its own as I would a peach or mango. It's just too much.
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I paint. I still do it every day. I never neglected it. It's a gift. It's almost like religion for me. It's the quickest way for me to become still.
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The first thing I do whenever I go to Thailand is seek out the closest restaurant or stall selling mango-and-sticky rice: it's a little hillock of glutinous rice drenched in lashings of coconut milk and served with fresh mango.
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I would be happy if people just called me an actor.
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Being an actor does make you aware of your age.
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Love is so short, forgetting is so long.
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I want to be like Robin Williams, really. It's all the different characters he does, all the different voices.
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I have a little dictaphone and if a sound takes my fancy or if a lyric comes to me in the middle of the night I'll just record it there and then.
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I really want to bring ensemble playing back to the forefront - not just for me, but for everyone in jazz. When you have a group, a true co-op group, you can really heighten the possibilities of all the treasures of jazz.
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There are two rules I've always tried to live by: turn left, if you're supposed to turn right; go through any door that you're not supposed to enter. It's the only way to fight your way through to any kind of authentic feeling in a world beset by fakery.
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I think capital punishment works great. Every killer you kill never kills again.
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The world is extremely interesting to a joyful soul.
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One of our rules for the show, I guess the filter we try to pass everything through, is it's a safe place for women to be. It's not a show for women, because we're basically 50/50 men/women in our audience, but it's a safe place where women win. Women never lose on our show. I think that's very important. It's very unusual.
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When you don't know what to do, get still. The answer will come.
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Miss Fontanne and I rehearse all the time. Even after we leave the theater, we rehearse. We sleep in the same bed. We have a script on our hands when we go to bed. You can't come and tell us to stop rehearsing after eight hours.
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As an actor, I still don't really know exactly what I am doing most of the time.
