Sara Zarr Quotes
Quotes to Explore
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I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
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Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee.
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I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
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My brother is the former mayor of Baltimore.
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The riskiest thing you can do is get greedy.
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I grew up in Hemel Hempstead, Hertfordshire, and reading was a big part of my life - I'd get through several books a week.
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I still love recording and still love the stage, but like my dad, I have the most fun when I am in front of that glorious orchestra or that kick-butt big band.
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As a child, I always liked dressing up and getting into character, and actors are lucky in being able to retain that playfulness, though we do seem to find it hard to grow up.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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I know how to make the difference. When I make the difference, I often do it at the end of the match, and that shows that I am fresh.
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I thought that communism, the tyranny of communism, was an abomination and I beseeched God to bring that terrible evil down and he did. It was a great triumph, it took awhile, but it happened.
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Wrestling in Japan, obviously, the fans are a little bit different - very quiet, very respectful in New Japan - but here in the WWE, these fans are going nuts.
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I always thought my best album was 'Trouble in Paradise.' I was the happiest with that one.
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The first requisite for the happiness of the people is the abolition of religion.
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I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes. So now our department is the worst department, partly because it has the worst facilities.
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The really wonderful thing that happened to me when I was in space was this feeling of belonging to the entire universe.
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I had a wonderful mother who wanted my sister and me to have everything, even though money was a very prominent thing we didn't have. But we had a very happy childhood - pretty much ideal, in fact.
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I'm not a great reader of historical fiction; it's not my favourite genre.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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I feel like I've exhausted guys and male friendships.
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Being a screenwriter is not enough for a full creative life.
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I think that sometimes love gets in the way of itself - you know, love interrupts itself. We want things so much that we sabotage them.
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Logotherapy sees the human patient in all his humanness. I step up to the core of the patient's being. And that is a being in search of meaning, a being that is transcending himself, a being capable of acting in love for others.
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Because love, love never finishes.
