Sarah Vowell Quotes
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I don't think about who the audience is for my books.
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I have to grow with my audience.
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You as an audience can look at these things as films, but I remember them as social experiences.
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When your life is as precious as all our lives are, then it needs to be kept precious and looked after and treated well. And that is not something we should be sharing with a wider audience.
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I don't have a director. The audience directs me.
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The audience has always been my best director.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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I don't think anyone's made a videogame yet that is me as the target audience.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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Sustaining an audience with a web series is an impossible task.
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I want my audience to leave the theatre with positive emotions through this sensorial journey in the world of precious and fragile teenage beauty. And also the idea that the difficulties that we have to go through help us reveal who we really are.
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For me it’s a way of reaching more audience and at the end of the day; that’s what it’s all about. I just want to sing and be heard, that’s what I love. With the House project for instance, I am going out to South Africa next month. I have a pretty cool following over there and it’s been brilliant.
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Kids need parents who love and support them unconditionally, full stop.
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Capitalism proceeds through creative destruction. What is created is capitalism in a 'new and improved' form - and what is destroyed is self-sustaining capacity, livelihood and dignity of its innumerable and multiplied 'host organisms' into which all of us are drawn/seduced one way or another.
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I don't consider myself a flashy director. A lot of times, people will look and don't even know what I do.
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My audience is going to die before I do.
