Gaby Hoffmann Quotes
My mother is the sort of a person who has no boundaries and no filter. She also has a big ego, but it's a very unique one. And I grew up with lots of artists in an environment where conformity and the norm were totally not what anybody was after.

Quotes to Explore
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The tribal system from which the Celt never freed himself entirely was the curse of the Celtic race, predooming it to ruin.
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In my opinion, all relationships between people have some sort of violence, and it is central.
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Sometimes when you're writing a song and that song comes into your head, it definitely comes from somewhere, like a real experience.
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Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.
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I'm a huge Cure fan. I love the Cure. The scales being tipped to when they weren't on a major label compared to when they were seems pretty meaningless. I had the good fortune of having them go before me and seeing their careers, musically at least, lose something. Like a novel written by a dead hand.
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I think comedy is one of the hardest things to do.
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I'd like to make something about someone who hasn't existed so that I don't have to tread so carefully and can feel a little bit more creative freedom.
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Oh the innocent girl in her maiden teens knows perfectly well what everything means.
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There's obviously a group who enjoys what Tyler Perry is putting out there. And why fault them? And there's a group that loves the things that Spike does. So they should enjoy that, too. Is it my taste? Maybe not, but I'm not going to fault anybody for doing what they're doing as long as people are showing up.
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A lot of actors and actresses pull from past experiences.
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People have given me the freedom and believe in me enough to say if I want to do these things that I will find a way to make it work. I don't know if they think I'm crazy, drug damaged or just an old weirdo.
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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Time is important to me because I want to sing long enough to leave a message. I'm used to singing in churches where nobody would dare stop me until the Lord arrives!
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On many accounts, Cornwall may be regarded as one of the most interesting counties of England, whether we regard it for its coast scenery, its products, or its antiquities.
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It's great fun to play with a really good band.
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No doubt I enjoy being close to people in the way I dress, the way I speak, and the way I communicate with people.
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Cue actor platitude, but I've been very fortunate and worked pretty consistently and have felt rather annoyingly grateful that I got to do what I got to do.
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I love the produce section at the grocery store.
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I came to New York for the first time with Peter Buck at age 19. We spent a week living out of a van on the street in front of a club in the West 60s called Hurrah. It's where Pylon played. I saw Klaus Nomi play there. And Michael Gira's band before he did Swans-they all wore cowboy boots and were so cool and had great hair. I was so jealous.
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You know, it comes from my mother's side of the family. She had seven sisters and one brother, and all of them could play instruments. I suppose I picked it up from that.
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Transformation always and necessarily calls for a transformation of oneself and one's environment. But I don't see that happening. People are stuck with their own positions that never change.
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We don't need anymore empowered people who are all about the ego.
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Like a bottle of wine or a promising college quarterback turning pro, C.E.O.'s are similar to what economists call experience goods: you commit to a price long before you know if they're worth it.
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My mother is the sort of a person who has no boundaries and no filter. She also has a big ego, but it's a very unique one. And I grew up with lots of artists in an environment where conformity and the norm were totally not what anybody was after.