Saul David Quotes
Historians turning their hands to fiction are all the rage. Since Alison Weir led the way in 2006, an ever-growing number of established non-fiction writers - Giles Milton, Simon Sebag Montefiore, Harry Sidebottom, Patrick Bishop, Ian Mortimer and myself included - have written historical novels.
Quotes to Explore
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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So many Indian novels, quite unfairly, do not get the prominence they should because they have been written in a language other than English.
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Fiction reveals truth that reality obscures.
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What I hate in fiction is when the author knows better than the characters what they should do.
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I also read modern novels - I have just had to read 60 as I am one of the judges for the Orange Fiction Prize.
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I tend to resist invitations to interpret my own fiction.
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Writers of historical fiction are not under the same obligation as historians to find evidence for the statements they make. For us it is sufficient if what we say can't be disproved or shown to be false.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I love science fiction.
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'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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I love mystery novels... I love seeing the dramas played out in academic departments, particularly English departments. I started reading these when I was going up for tenure.
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If utopian fiction became the new trend, I wouldn't read it.
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If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?
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I don't think Pulp Fiction is hard to watch at all.
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The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.
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In really, really good science fiction, the line between the science and the fiction is blurry.
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And I called her and gave her the job. And then I cast Orlando to her. He was like the kind of ingenue-discovery part and she was the established actor that I usually give the guy role to.
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I believe humankind has looked at Climate Change in that same way: as if it were a fiction, happening to someone else’s planet, as if pretending that Climate Change wasn’t real would somehow make it go away.
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They’re like,‘If you have an opinion against us, we’re gonna shut you down.' That’s not American. If you’re gay you should have the right to be gay in peace, and if you’re against it you should have the right to be against it in peace.
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Getting divorced just because you don't love a man is almost as silly as getting married just because you do.
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I'm interested in genius the way a hungry man is interested in Philadelphia cheesesteaks. I want something. I want a piece of it.
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Historians turning their hands to fiction are all the rage. Since Alison Weir led the way in 2006, an ever-growing number of established non-fiction writers - Giles Milton, Simon Sebag Montefiore, Harry Sidebottom, Patrick Bishop, Ian Mortimer and myself included - have written historical novels.
