Saul David Quotes
Historians turning their hands to fiction are all the rage. Since Alison Weir led the way in 2006, an ever-growing number of established non-fiction writers - Giles Milton, Simon Sebag Montefiore, Harry Sidebottom, Patrick Bishop, Ian Mortimer and myself included - have written historical novels.
Quotes to Explore
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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So many Indian novels, quite unfairly, do not get the prominence they should because they have been written in a language other than English.
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Fiction reveals truth that reality obscures.
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What I hate in fiction is when the author knows better than the characters what they should do.
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I also read modern novels - I have just had to read 60 as I am one of the judges for the Orange Fiction Prize.
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I tend to resist invitations to interpret my own fiction.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I love science fiction.
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'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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I love mystery novels... I love seeing the dramas played out in academic departments, particularly English departments. I started reading these when I was going up for tenure.
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If utopian fiction became the new trend, I wouldn't read it.
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If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?
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I don't think Pulp Fiction is hard to watch at all.
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The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.
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In really, really good science fiction, the line between the science and the fiction is blurry.
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And I called her and gave her the job. And then I cast Orlando to her. He was like the kind of ingenue-discovery part and she was the established actor that I usually give the guy role to.
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I believe humankind has looked at Climate Change in that same way: as if it were a fiction, happening to someone else’s planet, as if pretending that Climate Change wasn’t real would somehow make it go away.
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I always wanted to write fiction. Always. As far back as I can remember it's been integral to my sense of myself - everything else was always a displacement activity.
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I think, above all, the characters in my novels feel universal to the readers.
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Unless your aim is to deceive, there's not a meaningful distinction between memoir and fiction. They're marketing categories.
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You just need to be a flea against injustice. Enough committed fleas biting strategically can make even the biggest dog uncomfortable and transform even the biggest nation.
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Experience and the constant analysis of the most varied positions builds up a store of knowledge in a player's mind enabling him often at a glance to assess this or that position.
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Historians turning their hands to fiction are all the rage. Since Alison Weir led the way in 2006, an ever-growing number of established non-fiction writers - Giles Milton, Simon Sebag Montefiore, Harry Sidebottom, Patrick Bishop, Ian Mortimer and myself included - have written historical novels.
